
Helen Lee
Directing
Biography
Helen Lee, a Korean-Canadian filmmaker, was born in Seoul, South Korea, and migrated to Canada at the age of four, settling in Scarborough, Ontario. Her passion for cinema emerged early, leading her to pursue film studies at the University of Toronto and later at New York University. Influenced by gender and minority theories during her university years, these themes resonated in her inaugural short film, "Sally's Beauty Spot" (1990). Amid her academic pursuits, Lee crafted two additional films before embarking on a five-year hiatus in Korea starting from 1995. Upon her return, Lee unveiled another short film and her maiden feature, "The Art of Woo" (2001). Although her filmography has slowed in pace, Lee persists in creating compelling cinema. Her works often delve into gender and racial complexities, offering poignant reflections on the contemporary experiences of East Asians. A recurring motif in her oeuvre is sexuality, with interracial relationships prominently featured across several of her films.
Known For
Alessa Woo (Lee) is an ambitious art dealer who meets her match in gifted painter Ben Crowchild (Beach) in this romantic comedy.
The Art of Woo

A large black mole above an Asian woman's breast serves as a metaphor for cultural and racial difference in this engaging experimental film. Off-screen women's voices and scenes from THE WORLD OF SUZIE WONG parallel and counterpoint Sally's own interracial relationships and emerging self-awareness. A provocative and stylish meditation on Asian femininity.
Sally's Beauty Spot

A young woman falls in love with a shoplifter in her family's convenience store, setting off a series of mishaps involving a lost doll, a loaded gun and a grandmother who speaks only Korean.
Prey

Shadowed by the death of her mother, Julie Kumagai's life with her widower father is marked by pained, turbulent exchanges. Indifferent to a break-up with her boyfriend and the lure of a long-planned trip, she finds some refuge in her workplace where she meets Tetsuro, a young Korean man newly emigrated from Japan who is obsessed with all things American. But together they discover no easy resolutions.
My Niagara

A prismatic exploration recounting the 1950s visit of Parisian elites led by Chris Marker and Claude Lanzmann in the newly formed Democratic People’s Republic of Korea, the communist state that claims the allegiance of the filmmaker’s grandmother during the Korean War.
Paris to Pyongyang

In a drama conveyed with great astuteness and empathy by director Helen Lee, a 16 year old's private catastrophe collides with a much larger tragedy off the coast of South Korea in 2014.
Tenderness

Subrosa traces a young woman's journey to Korea, the land of her birth, to find the mother she's never known.
Subrosa
Solongo is a Mongolian expatriate living in Seoul with her American husband. Myungjin, recently returned to her native country after 10 years abroad studying painting, feels equally displaced. Through the mysterious connection of a 10 year old girl riding past on a kick scooter, the two women find unexpected solace and hope for the future as they confront the choices they made in their lives.