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Beto Gianola

Beto Gianola

Acting

Biography

Norberto Isidro Gianola, better known as Beto Gianola, was an Argentine film, television and theater actor.

Known For

Alta comedia
6.0

No description available.

Alta comedia

1970
The Kidnapper
5.7

A group of poor people living on the bare minimum in a slum, trying to survive in a world that seems to have no place for them. With a tone raw and realistic story portrays their daily tragedies, and their struggle to survive.

The Kidnapper

1958
Las ruteras
7.3

A trucker wants to go independent and buy his own truck, in the process of doing so, he'll find out that not everyone is as nice as they pretend to be, and he'll come across "Ruteras", women waiting in the roads to perform their "services" on truckers.

Las ruteras

1968
El gordo catástrofe
6.9

Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital. Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).

El gordo catástrofe

1977
Dagli Appennini alle Ande
6.3

A young boy travels by himself to reach his sick mother.

Dagli Appennini alle Ande

1959
Graciela
8.3

A small town girl arrives in the city to study literature and philosophy, she stays in a house inhabited by a family in decline.

Graciela

1956
The Venerable Ones
6.4

Ismael, the weakest and most unstable member of a supposed group of conspirators with power aspirations, constantly suffers ridicule and contempt for his leader, Lucas, and his other companions. Everything changes when a woman with whom Ismael is in love begins to delve into the macabre logic of the group.

The Venerable Ones

1963
The House of the Angel
7.2

A young teen has been raised by a despotic mother overcome with religious zeal and a father who rules over the household with a heavy, iron hand. Forcibly kept innocent of the sexual nuances of some adult relationships, she is not too clear on her rights, his intentions, or the consequences when her father's best friend starts to lust after her.

The House of the Angel

1957
El gordo de América
6.9

To celebrate his promotion, a manager (Javier Portales) decides to summon his brother from the field, but as he did not stop making disasters he sends him back. His brother (Jorge Porcel) is not convinced and dazzled by an advertisement decides to set up an investigation office.

El gordo de América

1976
Chronicle of a Boy Alone
6.7

The story of a delinquent eleven-year-old orphan in authoritarian Argentina.

Chronicle of a Boy Alone

1965
Patapúfete
7.0

Pepe receives a notebook from his great-uncle containing the formula for making an atomic bomb. When some specialists dedicated to science discover it, they begin to send people to steal it.

Patapúfete

1967
Rosaura at 10 O'Clock
7.3

Out of the blue, a meek, old painter begins receiving love letters from Rosaura. This intrigues his fellow boarding house tenants, so they involve themselves into his relationship until one day the mysterious Rosaura appears.

Rosaura at 10 O'Clock

1958
Dos quijotes sobre ruedas
9.0

The adventures of two truckers (one Argentine and the other Mexican) carrying different people and a suspicious trunk

Dos quijotes sobre ruedas

1966
Procesado 1040
9.0

Elderly suburban man is imprisoned over a misunderstanding about some garden utensils.

Procesado 1040

1958
No image
10.0

Leopoldo Torre Nilsson, at the age of 22, made his directorial debut with this little-known auteur short film, based on one of his short stories, which contains the seeds he would develop in future works: loneliness, the conflicts and morals of society at that time, its loss of identity, and literary themes. Although Torre Nilsson himself used to define "The Wall" as "a sin of youth," it already reveals a different kind of cinema, with a certain expressionist touch, a reflection of his literary restlessness and an early and natural rejection of the commercial vision of cinema at that time, a rejection he would maintain throughout his career, in which he would crash against another wall, that of censorship, more than he would have liked.

El muro

1947
Orden de matar
7.5

Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

Orden de matar

1965
Operación Antartida
10.0

Two sailors traveling to Antarctica, delude themselves with meeting to the same woman on their return. Totally natural scenes filmed in Antarctica.

Operación Antartida

1957
Las apariencias engañan
7.0

A rich young man is unjustly accused of the crimes of his brother and brother-in-law.

Las apariencias engañan

1958
Pasión dominguera
9.0

A waiter, a notary, a policeman and some gravediggers leave everything to go and watch their favorite football team play.

Pasión dominguera

1970
La obertura
N/A

A man is kidnapped when he is mistaken for another and his wife tries to collect a large life insurance but he reappears alive.

La obertura

1977