Tan Chui Mui

Ulzii, a teenager from a poor neighborhood in Ulaanbaatar, is determined to win a sciences-physics competition to get a scholarship. His illiterate mother finds a job in the countryside, leaving him and his brother and sister in the middle of winter. Ulzii wanders around at night looking for things to burn for heat while preparing for the national competition.

Chen’s daughter is returning from the UK after her university graduation. On the weekend of her return, Chen accidentally learns her secret when they are hijacked by two ruffians.

Gita, a young woman in search of a life purpose, leaves her hometown in China for Malaysia. As she struggles to come to terms with her past and identity, Gita devotes herself to an intense martial arts training course—turning inwards and arriving to groundbreaking epiphanies about herself.

Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts martial arts film. The role requires extensive training and though Moon is at first uncertain, she leaves her young son in the care of Roger’s assistant and commits herself to back-breaking training. As soon as she starts to gain some confidence, Roger breaks the news to her: the only way the film can move ahead is to cast her ex-husband, Julliard, as the male lead.

Amid the wintry steppes, Saina, a Mongolian horseman turned cultural performer, tends his ranch during the day and performs horseback tricks for audiences at night. Unlike the majestic cavalryman he portrays in the show, Saina discovers that his herdsman’s life is on the verge of disintegration.

Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.

Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.

Ali and Amir are inseparable fraternal twins with a telepathic bond. The brothers are forced to fend for themselves when their father abandons them after remarrying a younger bride. The arrival of a new teacher, Lara, tests their brotherly bond.

Ping has come from Penang in the north to Kuala Lumpur to work with her aunt. There she meets John, a young man who keeps trying to approach her. Ping feels increasingly attracted to John, and although she has a boyfriend in Penang she is drawn more and more into his world. Ping loses herself in her love and does all she can to keep John.

The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.

Born to Tibetan immigrant parents in America, 11-year-old Pema has always felt the protective embrace of her close-knit community, and the overprotective eye of her father, Kelsang. However, an unexpected incident reveals the harsh realities her father has been shielding her from, and Pema begins to understand the complexities of her minority status in society for the first time.

An omnibus of 4 contemporary ghost stories.

Zi Kien and his mother Ah Lin only have each other in their lives until one day, Ah Lin starts dating Mr. Lee. Zi Kien feels his place in his mother's life is threatened, and he starts to change himself. This is a story about a mother and son who care too much about each other, yet pretend not to.

In a remote Malaysian fishing village, two boyhood friends reunite and take a night fishing trip to an uninhabited island. Through their journey and a series of flashbacks, the mysteries of their lives are slowly illuminated in a film hypnotic, tranquil, chimerical and steeped in the deep rhythms of the sea.

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind or clues. One day a man named Tong shows up and claims to be Ling Yues lover. Apparently Tong is looking for Ling Yue too. In a turn of event both men formed an uneasy alliance in order to find Ling Yue

Fragment is an omnibus film celebrating the strength and diversity of South-East Asian independent cinema. Made up of a collage of ten stories, each story distinctively embraces the other's subjectivities through the collective sentiments of vulnerability and fortitude. This film is commissioned by the Asian Film Archive (AFA) for its tenth anniversary celebrations.

Li Ahh and Li Ohm grow up motherless. Their father Sui is a workaholic who spends most of his time mending broken mannequins. Sui is an outsider to the two boys, the only legacy left by the woman he loved, or still loves.