Ali Asgari

Bahram is a 40-year-old filmmaker who’s spent his entire career making films in Turkish-Azeri, none of which have ever been screened in Iran. His latest work, once again denied permission by the Ministry of culture, pushes him to the edge of defiance. With his sharp-tongued, Vespa-riding producer Sadaf by his side, he embarks on an underground mission to showcase his film to an Iranian audience, dodging government censors, absurd bureaucracy, and his own self- doubts.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse.

A woman suffers complications after having sex. Her partner takes her to the hospital, but getting help proves to be difficult.

On a cold winter’s night in modern Tehran, a couple of young lovers run into a serious problem, and they have just a few hours to come up with a solution. They go from hospital to hospital in search for help, but none of the hospitals will admit the young woman and provide her with the medical attention she desperately requires. While they try hard to find a way to solve the problem, they have to hide what is happening from their parents. Moreover, their relationship is facing a crisis and will suffer dire consequences. Caught between conservative traditions and modern day desires, the couple must face their uncertain future.

A woman accompanies her husband for an audition. The thing that happens there leads her for an important decision...

A man and his two children are late for their flight. While they wait for the next flight something happens that changes his point of view about being a father.

We all live on the same planet, under one sun which nurtures and renews our unique and common hopes for the future. No matter how much we differ from each other in color, ethnicity and belief, we all share the same source of life, united in our destinies. An omnibus film on the topic of Turkish - Armenian relations.

Narges and her friend have just a few hours to find someone to take care of her baby.

Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.

On her way back from work, a woman witnesses something happening in the bus. She must decide if she will reveal it or not.

Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.

Soniya is going to be a first grader and she is happy for this however she faces this reality that to go to school she has to wear what she does not like.

A veiled 16 year old Iranian teenager is terrified to take her red suitcase from the carosel at the Luxembourg Airport, and go through the exit doors. Her fear grows with every second in the face of what awaits her beyond the gate.

The film is set around three protagonists. Two run a gas station on the outskirts of town, on a road that gets next to no traffic anymore, and so they get next to no customers. They live and work out of a decrepit van on site, its windows covered in plastic. Sadry is a former strongman, now blind in one eye. He is the boss of the station. Yadi is his eager to please assistant, who usually annoys more than pleases. Finally there is the postman, Abbas, who longs to trade in his brakeless bicycle for a motorcycle, while he must care for his mentally ill brother.

The tale of two lonely misfits struggling to survive in the asphalt jungle.

After the of premiere of his film Terrestrial Verses (co-directed by Alireza Khatami) in Cannes, Ali Asgari was banned from traveling by the Iranian authorities. But filmmakers like Asgari are not easily deterred from practicing their art, despite unceasing repressive government interference.

As Ahu attempts to overcome insomnia in her new apartment, her life becomes increasingly entangled with her troubled neighbour.

Young Fatima holds a secret that could change her fate; she must place her trust in a doctor to make a tough decision between cultural tradition and medical ethics.

Sina a 13-year-old kid has been in jail for stealing and hitting the shop owner. He alongside with a social worker go to the owner to talk but the situation gets more complicated than he expected.

A man falls from a balcony onto the sidewalk below. A crowd gathers and an ambulance is called, but no one knows why he fell.