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Roberto Cobo

Roberto Cobo

Acting

Biography

Roberto Cobo was born on February 20, 1930 in General Zuazua, Nuevo Leon, Mexico as Roberto Garcia Romero. He was an actor, known for Los olvidados (1950), Dulces compañías (1996) and Subida al cielo (1952). His apartment collapsed during the 1985 Mexico City earthquake. Fortunately, he was rescued but his hip was damaged badly. He had to use a staff to walk after the earthquake. He died on August 2, 2002 in Mexico City, Distrito Federal, Mexico.

Known For

Carambola
4.8

El Vago (Martinez) has recently won an old-fashioned billiards hall in a heated contest with the joint's former owner El Mexicano (Jesus Ochoa). The first order of business: El Vago enlists the aid of ambitious assistant El Perro (Luna) in shooting an instructional billiards video. Trouble soon begins to brew, however, as El Perro is repeatedly distracted from his camera duties by El Mexicano's sexy daughter La Pujara (Hidalgo). Increasingly aggressive in his attempts to transform the venerable gaming establishment into a techno-throbbing youth hot spot, El Perro later crosses the line when he uses his lens to shoot a pornographic video with willing exhibitionist La Pujara. As an impressive array of billiards champs descend upon the pool hall for a high profile tournament, El Mexicano comes into possession of the steamy sex tape and flies into a vengeful fury.

Carambola

2005Movie
The Image Book
6.3

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The Image Book

2018Movie