Jorge Coutinho

A Maranhense young woman and a carioca tourist photographer fall for each other and get separated by destiny and a woman obsessed with his family's fortune.

The adventures of a man with amnesia who struggles to rediscover his past while learning to live in the present.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

Helena is a sweet, honest, sensitive and a warrior woman who faces the premature pregnancy of her daughter Joyce, who in turn is abandoned by her boyfriend, the irresponsible Caio. The biggest problem is the girl's father, Assunção, Helena's ex-husband, who does not accept the situation. Lonely and alone, Helena awakens a passion for the endocrinologist Carlos Alberto, and has her feelings matched. But Carlos is committed to the possessive Paula. The girl's parents, Zuleika and Rômulo, anxiously await their daughter's wedding with Carlos, who will save the family from financial decay. But Carlos is the type of man that women don't really forget. Even married to Paula and in love with Helena, he is still harassed by ex-wife Sheyla, who is not satisfied with having lost him and dreams of a rapprochement.

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'Ti-Ti-Ti' presents a humorous plot, set in São Paulo, whose central theme is the professional, familial, and romantic rivalry between André Spina and Ariclenes Martins, or Ari, as he is known to those closest to him. The two were childhood friends and always fought a lot, engaging in tireless disputes over the same girlfriends.

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The story begins with the arrival of millionaire Antônio Carlos Volpone in Brazil. After living in Cairo for 18 years, he returns to his homeland for two reasons: first, to clarify the murder of his father-in-law, Dr. Telles, of which he was accused; second, to get closer to his ex-wife Estela, now married to Orlando Aranha. The millionaire also attracts media attention, and reporter Amélia Bicudo decides to investigate his life. To mislead his enemies and move freely, Volpone uses numerous disguises: the executive Anabela Freire, the doctor Nilo Peixe, the industrialist Augusto Melo Sampaio, and the driver André Silva. With the help of his loyal secretary and friend, Mosca, he confronts his main rival, Orlando Aranha, and Renata, Orlando's sister, who holds secrets about the murder of Estela's father.

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The transition from imperial Brazil to the Republic, marked by intrigue, rebellion, and popular indifference. Held in commemoration of the centenary of the birth of the Republic in Brazil.

The story, inspired by Harriet Beecher Stowe's novel of the same name – which fueled the abolitionist movement in the United States – depicts the conflict between enslaved American cotton planters and wealthy landowners in the South. The fight for freedom is led by Uncle Tom and his wife Chloe.

A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

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In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.