
Gabriel Figueroa
Camera
Biography
Gabriel Figueroa Mateos (April 24, 1907 – April 27, 1997) was a Mexican cinematographer who worked both in Mexican cinema and Hollywood. His mother died after giving birth to him. His father, unable to cope with the loss of his wife, left Gabriel and his brother Roberto to be cared for by their aunts. He studied painting at the Academia de San Carlos, and at the age of 16 he became interested in photography thanks to José Guadalupe Velasco. He later befriended other photographers, such as Gilberto Martínez Solares and Raúl Martínez Solares, and these three would then move on to cinematography. Figueroa made his entry in the movie industry in 1932 as a photographer of stills for the film Revolución of Miguel Contreras Torres. He was later one of the 20 cinematographers hired for the Howard Hawks film Viva Villa!. After a few jobs he obtained a scholarship to study in the United States where the established director of photography Gregg Toland taught Figueroa. Back in Mexico, his first film was Fernando de Fuentes's Allá en el Rancho Grande (1936) which would become one of the most popular films in Mexico and Latin America, and gave him his first award at the Venice Film Festival. He filmed 235 movies over 50 years, including Los Olvidados by Luis Buñuel, The Night of the Iguana by John Huston, The Fugitive by John Ford, and Río Escondido by Emilio Fernández. One of his main collaborators was Fernández, with whom he shot twenty films, some of which won prizes at the Venice Film Festival, the Cannes Film Festival, and the Berlin Film Festival. After collaborating with Fernández and Buñuel on their films with such actors as Dolores del Río, Pedro Armendáriz, María Félix, Jorge Negrete, Columba Domínguez, and Silvia Pinal, Figueroa has come to be regarded one of the most influential cinematographers active in México.
Known For

A misfit group of World War II American soldiers goes AWOL to rob a bank behind German lines.
Kelly's Heroes

When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.
Two Mules for Sister Sara

A Mexican music trío go through friendships and hardships in order to be famous and travel to Spain.
Los tres calaveras

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
Macario

A Catholic priest in a poor community lives a charitable life in accordance with his religious principles, but others do not return the favor.
Nazarín

A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
The Young and the Damned

After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.
The Exterminating Angel

Anti-Catholic and anti-cleric policies in the Mexican state of Tabasco lead the revolutionary government to persecute the state's last remaining priest.
The Fugitive

Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.
Under the Volcano

A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
The Night of the Iguana
Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.
The Unloved Woman

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.
Él

Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
Simon of the Desert

A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
The Young One

Animas Trujano is a colorful but irresponsible Indian in a small Mexican village. He hopes above all things someday to be chosen mayordomio of his village, a place of great honor usually conferred upon the wealthiest and most respected citizens. Animas has a loyal wife, but cheats on her and gambles away every cent they raise. Chances arise for Animas to turn over a new leaf and even hope realistically for the honor of mayordomio.
The Important Man

After falling for Alicia, greedy and powerful Mexican landowner Carlos has her fiancé thrown in prison on a bogus charge. To trick Carlos into releasing her man, Alicia teams up with her Aunt Delfina and tries to convince Carlos that he's a ghost.
Once Upon a Scoundrel

Lopitos, who is horribly inefficient but quick-witted, is invited (because of the current ambassador's superstition about 13 sitting down to a meal) to a banquet attended by the ambassadors of both superpowers. After the news of a series of coups d'état in Los Cocos arrives throughout the meal, Lopitos becomes the official ambassador. At a summit of world leaders, the representatives of the two world superpowers court the allegiances of third-world diplomats to tilt the balance of global power in their favor. The last diplomat to remain unaligned, Lopitos instead harangues the superpowers for infringing on the rights of developing countries to self determination, talking to them with his point of view as a citizen not as ambassador because he arranged his demise as ambassador one day before his speech.
Your Excellency

Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
Ni sangre ni arena

The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
Wild Flower

While attending the birth of Isabel, the wife of foreigner Felipe, Mama Santos predicts that "something terrible is going to happen in the town." From this omen, calamities will torment the locals.