Toniet Gallego

Eloise, having been relieved of maid of honor duties after being unceremoniously dumped by the best man via text, decides to attend the wedding anyway – only to find herself seated with five fellow-unwanted guests at the dreaded Table 19.

As the streets of Los Angeles overflow with camera-wielding gawkers seeking to capture images of a bizarre police pursuit, the same people who sought to exploit the suffering of others for amusement on the Internet become the stars of a gruesome viral video from which no one gets out alive.

A young woman gets drawn into a supernatural system with Bible characters working undercover to help people today.

Following her breakout role in a killer clown horror flick, Bowie now finds herself struggling to capitalize on its success, but when she is suddenly held hostage by an unhinged fan posing as that same killer clown, horror becomes her reality as she fights to survive the night and escape before he completes his sinister plan to recreate the film's fatal plot.

"On the upper left screen we watch a white bourgeois couple joylessly preparing for work: getting dressed, brushing their teeth, and eating breakfast. In the lower right corner we watch an interracial hipster couple—an Asian woman and white man—calling in sick and having sex. The alienation between the bourgeois couple is formally stressed by them being split into two frames while the interracial couple are framed together." (Quoted from Chris Robé's 'Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas,' pg. 363)

Loosely based on a Japanese fairytale, an elderly gay couple on a farm in the 1920's South find a little girl from the moon inside an ear of corn and raise her as their own.

An exquisite corpse re-imagining of "Frankenstein" created by filmmakers under lock-down with whatever means available.