Alda de Aguiar

Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.

Melancholic and atheist bank clerk Manuel is stuck in a love triangle with two women, the fiery art model Albertina and the quiet and religious Ana Maria. After spending several years working in Africa, Manuel returns to Portugal only to find both women already married, and his life marred by problems.

Lena's uncle died and left his niece estates in Alentejo as an inheritance—with one peculiar condition: that by the end of the year, someone must steal her most valuable possession. If she doesn't want to lose her inheritance, Lena really needs a thief...

A man afflicted by an inferiority complex, is helped out by his comrades to pass the tests to enter the navy. A girl accepts to show a fake love interest in him as part of the plan, and ends up really enamoured.

The Man with the Crooked Eyes is a unfinished 1918 Portuguese silent film made for Lusitânia Film and directed by José Leitão de Barros, starring Filipe Melo. This was restored and edited together in 2007 using all existing raw footage.

During a reception at a noble house, during the XVIII century, an ancient courtesan takes the petals of a marigold off, one-by-one, and remembers his encounter - and separation - of the woman he loved.