Writing
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
A mysterious classmate leads four idealistic teens in a revolt against a rising tide of nationalistic fervor, but their movement takes a dark turn.
The drugstore chain "Faber" is facing closure: company boss Max Faber has lost so much money through stock speculation that planned insolvency seems to him to be the only sensible way out. The jobs of all employees are at stake, but the chain's founder cares as little about this as he does about the modernization proposals of his own daughter Kerstin, who has always played second fiddle in the company empire. Fate brings Kerstin and Janine, one of the sales assistants in a branch, together, and together they take action against the redundancies and exploitative measures of Max Faber. But the highly explosive power struggle between father and daughter is far from over.
After the death of genius Richard Wagner his wife Cosima fights for his legacy even against the will of her children Sigmund and Sieglinde.
Banklady tells the true story of Gisela Werler, a law-abiding factory worker from Hamburg, who falls in love with a thief and becomes a media darling as Germany’s first and most notorious female bank robber. Cunning, sexy, and exciting, Gisela and her beloved Hermann pull off one daring heist after another. Banklady follows this outlaw who captured Germany’s imagination, boldly defying gender expectations and living a decades-long Bonnie and Clyde romance.
The last years of Heinrich George's life are reconstructed with documentary footage and play scenes. His son Götz, named after Heinrich's favorite role of the peasant war hero from Goethe's play "Götz von Berlichingen", plays scenes from his father's life and allows his enormous creative power to shine through. Nothing is left out, nothing glossed over in this story of a man with many facets. Götz George, one of Germany's best-known actors, is at the center of this homage, which is also a reappraisal of the contradictions in his father's life. As the only follower from the acting profession, Heinrich George had to pay with his life. He was not officially rehabilitated until 1998.
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