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Paul Cowan

Directing

Biography

Paul Cowan is a Canadian filmmaker who spent the bulk of his career with the National Film Board of Canada.

Known For

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8.0

This series of seven one-hour films examines the nature, evolution and consequences of modern warfare. Filmed in ten countries, on two oceans, and with the co-operation of the armed forces of six nations, War features interviews with top-level NATO and Soviet military leaders and strategists, eminent historians and other professional observers of combat. Drawing as well on film and picture archives worldwide, with footage of important battlefields on three continents, this documentary series argues that war, an institution invented to settle disputes between nations, no longer serves its purpose. It concludes that nations must find other ways to resolve their differences. The on-camera host for the War series is Gwynne Dyer, Canadian international affairs analyst and military historian.

War

1983Series
The Chocolate Farmer
7.0

For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled PopÂ’s children away from him. Will one child return to carry on a waning way of life

The Chocolate Farmer

2011Movie
The Peacekeepers
9.5

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

The Peacekeepers

2005Movie