Maria Skoula

On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?

Love, the search for love, the desire for love... Three summers in the bright light of Attica, three sisters in their prime, Maria, Infanta, Katerina. Maria, the eldest, sensual, close to the mysteries of nature, Infanta, fiery but restrained in the face of love, Katerina, thirsty for independence, who chooses the dream. For her, the myth becomes reality, like the mysterious faces of the Polish grandmother and Captain Andreas. Katerina narrates these three summers with imagination, humor and immense tenderness, with a youthful grace that already has a touch of nostalgia.

In a working class neighborhood of Athens of the economic crisis, resurgence of fascism and covid19, a racist group of 18-year-old students persecute immigrants, homosexuals, anyone who is just different. A classmate of theirs who does not hide his dislike for their action quickly becomes their target.

A monk of a Greek monastery, tries to cope with the unbearable sadness and loneliness , when he loses his little dog, the only companion he has got.

The battle-scarred hero of the Greek Revolution, Giannos "Astrapogiannos", returns home after the end of the blood-soaked War of Independence, only to find himself in a new conflict, as he locks horns with a ruthless local Kodjabashis.

The bookish Kostas is a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in.

Two men who live in modern day Athens decide to start the quest for Laura Durand, a porn star of the 90's who has disappeared mysteriously several years ago.

Maria and Loukas decide at the same time and for no apparent reason to respectively run away from their homes. Each of them has to deal with their personal problems: Maria is stuck in a wealthy marriage with Dimitris while raising their two children. Loukas is unemployed and full of debts. Both of them run away from their personal issues, both of them begin wandering in modern day Athens. They come across a series of controversial events and meet with strange characters. Furthermore, various people seem to be on their track; Maria is followed by two policemen. Loukas is followed by a weird stranger dressed in black, Joseph, who desperately wants something from him.

Marianna returns to Greece on a whim to surprise her boyfriend, secretly plotting to stay with him forever, while Nikos is using the carnival as an excuse to confess his love to his unsuspecting boss. Eugenia hesitates to tell her daughter about her secret romance with the much younger carnival crew leader, while Ilias has no qualms about begging his estranged wife to come home. Four couples, each one desperately trying to either rescue or escape their relationship, lose themselves in the intoxicating atmosphere of the carnival before they finally reveal their true colors, hidden behind the masks. In the midst of carnival madness, four duets are staking their claim on their own personal Paradise…

The true story of the greatest Greek writer of the 20th century, Nikos Kazantzakis, based on his work, Report to Greco, which is, essentially, his autobiography.

Tassos, a man just over 50 years old, with a career in the marketing and commercial direction of large corporations, has been unemployed for three years now. Too old for a new beginning, but also too young to resign. His relationships with his close people are being tested, and his psychological state is marginal. His goal is one: to get out of the 'freezer'.

In a house by the side of the road that also operates as a taverna for passersby, a couple leads a dull and uneventful life. One day, a hawker talks the woman into buying colored tablecloths for her taverna on credit, and that changes things ...

The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finish his studies at the Polytechnic University. Later on, we watch Lefteris’ life through his relationship with Dimitra, a fellow student. The ups and downs in their relationship during the course of their studies end up in a deadlock, in which they sacrifice their relationship to their quest for success.

A widow reminisces on her life after returning to her family home in Greece.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

A couple hires a young migrant to be their surrogate mother and moves her to their beautiful villa. While the man is away for work, the woman and the girl start to bond and enjoy the couple's wealthy way of life. But behind her forced cheerfulness, the woman seems more and more depressed. After a few drinks with the girl, she goes for a drive. The next morning, her husband gets a call: his wife is dead, her burned body was found in her wrecked car.

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

After 35 years working in a factory in Germany, Ilias returns to his almost deserted village and buys a service station on the main street to Ioannina. He wants to make a new start but soon feels like a foreigner again, this time in his own country. His relationship with Eleni, his younger and still beautiful wife, is going though a serious crisis. Eleni, who married him when she was very young to escape the poverty of village life, now feels she is suffocating. She wants to live while there is still time.Their life changes when Ilias saves Petros, a young Albanian illegal immigrant who comes to Greece seeking a better life, from the border guards and hires him in his shop.

An urban legend of Athens says that in the 80s a girl was swept away by an ancient underground river that nobody has ever seen. Today a young anthropologist is researching the case, interviewing the girl’s three best friends and their former history teacher.

Three generations of women in one household do what they can to prepare for the impending loss of one of their number.