Acting
Maria Skola is a Greek stage and screen actress.
Overweight nineteen year old, Stefanos, is a passionate conspiracy theorist. Suffering from the recent loss of his brother he decides to seek vengeance from the man he blames for his death. By doing that he enters a world he does not belong to and will fight his way to redemption.
Two men who live in modern day Athens decide to start the quest for Laura Durand, a porn star of the 90's who has disappeared mysteriously several years ago.
After 35 years working in a factory in Germany, Ilias returns to his almost deserted village and buys a service station on the main street to Ioannina. He wants to make a new start but soon feels like a foreigner again, this time in his own country. His relationship with Eleni, his younger and still beautiful wife, is going though a serious crisis. Eleni, who married him when she was very young to escape the poverty of village life, now feels she is suffocating. She wants to live while there is still time.Their life changes when Ilias saves Petros, a young Albanian illegal immigrant who comes to Greece seeking a better life, from the border guards and hires him in his shop.
A man trying to get in touch with his past is confronted with the realities of his nation's future in this drama. Andreas (Giorgos Dialegmenos) is an elderly man who finds himself caught in a wave of nostalgia about the home where he grew up with his mother. Andreas decides to travel to the Greek island where he and his mother lived in hopes of visiting his boyhood home, but he soon discovers that things have changed a great deal over the years; many familiar landmarks are gone, and no one on the island is terribly interested in helping him find his way. After much searching, Andreas thinks he's found the place where he grew up, only to discover the house is gone, and a group of refugees have set up camp on what used to be the family's property. Efimeri Poli was the first dramatic feature from director Giorgos Zafiris after helming a series of well-respected documentaries.
Aris and Anna meet one evening in a half-abandoned town surrounded by antennas. In this strange, dreamlike world, the two solitary souls gradually start to develop feelings for one another.
Three generations of women in one household do what they can to prepare for the impending loss of one of their number.
Last Visit is a tribute to Lefteris Voyatzis (1945 - 2013), an indisputable milestone in the modern history of Greek theater that defined people, projects, and our theatrical perception. He defined and was defined by the Theater of Odou Kykladon. At this place he left work, memories, and senses that still intensively exist. Through this strange dreamy visit he returns to favourable theatrical place for a proper farewell to his friends and colleagues.
Eva is a seven-year-old girl who accidentally sees her parents making love. This spectacle, unbearably mysterious and violent, causes fear and curiosity at the same time.
On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?
Marianna returns to Greece on a whim to surprise her boyfriend, secretly plotting to stay with him forever, while Nikos is using the carnival as an excuse to confess his love to his unsuspecting boss. Eugenia hesitates to tell her daughter about her secret romance with the much younger carnival crew leader, while Ilias has no qualms about begging his estranged wife to come home. Four couples, each one desperately trying to either rescue or escape their relationship, lose themselves in the intoxicating atmosphere of the carnival before they finally reveal their true colors, hidden behind the masks. In the midst of carnival madness, four duets are staking their claim on their own personal Paradise…
A monk of a Greek monastery, tries to cope with the unbearable sadness and loneliness , when he loses his little dog, the only companion he has got.
In a house by the side of the road that also operates as a taverna for passersby, a couple leads a dull and uneventful life. One day, a hawker talks the woman into buying colored tablecloths for her taverna on credit, and that changes things ...
It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.
A young man returns to his hometown because of his father's serious illness and consequent death. The grave personal loss is experienced through a journey into happy childhood recollections and memories of family life.
A veterinarian is called in to treat a mysterious disease in a remote farm. He examines the first victim of this disease, a ram, and he advises the owner to put down all his livestock as a precautionary measure. A freak storm, though, forces him to spend the night at the farm.
In a working class neighborhood of Athens of the economic crisis, resurgence of fascism and covid19, a racist group of 18-year-old students persecute immigrants, homosexuals, anyone who is just different. A classmate of theirs who does not hide his dislike for their action quickly becomes their target.
An urban legend of Athens says that in the 80s a girl was swept away by an ancient underground river that nobody has ever seen. Today a young anthropologist is researching the case, interviewing the girl’s three best friends and their former history teacher.
Tassos, a man just over 50 years old, with a career in the marketing and commercial direction of large corporations, has been unemployed for three years now. Too old for a new beginning, but also too young to resign. His relationships with his close people are being tested, and his psychological state is marginal. His goal is one: to get out of the 'freezer'.
Love, the search for love, the desire for love... Three summers in the bright light of Attica, three sisters in their prime, Maria, Infanta, Katerina. Maria, the eldest, sensual, close to the mysteries of nature, Infanta, fiery but restrained in the face of love, Katerina, thirsty for independence, who chooses the dream. For her, the myth becomes reality, like the mysterious faces of the Polish grandmother and Captain Andreas. Katerina narrates these three summers with imagination, humor and immense tenderness, with a youthful grace that already has a touch of nostalgia.
Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?
