Hu Chin

Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.

Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

In The Fantastic Magic Baby, director Chang Cheh weaves a wild and woolly yarn about how the legendary Monkey King and Goddess of Mercy battle and defeat the child god Hung Hai-erh then point him down the road to righteousness.

Incriminating evidence against a gang is left in a cab when a gang member dies in it. The gang chases the innocent cab driver, who receives help from the dead gangster's sister - a tough police woman.

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.

Li Han-hsiang, one of the most experienced and respected filmmakers in Hong Kong, wrote and directed this charming and fascinating comedy of amorous complications and modern morals in the very middle of his forty year career. The two cities are Macau, where a love quartet is the source for sexy merriment, and Hong Kong, where a gambler tells a charming woman why there are four shackles hanging from his apartment ceiling!

An old man of the village tells kinky ghost stories to a few of it's inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.

Crime drama based on true incidents around a Kidnapping - and murder case ,also taking much time describing the psychological moments which propel the criminals. It's strictly focused on them, the law representatives are mostly faceless and out of the plot. Lo Lieh plays a moneyless guy working on a gas station, it's owner is a thorn in his flesh, because he completely knows the differences and painfully shows it: "I can find a new worker faster, than you can find a new job" Together with 3 friends, who are similarly struck, a plan to kidnap and blackmail this guy is made....

Powerful mobster Leung, protected by the dangerous Huan Fai, sells 200 Japanese weapons and ammo to a Chinese gang. He uses smuggler Luy Fu to bring the weapons but small-time thief Kim and his gang heist the shipment and dump the cargo into the sea. Meanwhile, Kim befriends Fan Ming, an undercover police office from Shanghai investigating Leung's crimes.

This Category III period drama featuring power struggles and naughty things within the imperial palace walls definitely has effort put forth but immense chunks of plot holes are nowhere near filled up. Much seem missing in the story of poor Ru Yee who applies to be the nurse maid of the Emperor’s son. She gets help to gain access by Wei (Tan Lap-Man) and soon they are both heavily involved inside the palace. She as the nurse maid and he as a eunuch in training. Wei also finds time to murder Ru Yee’s sick husband and child… a fact barely mentioned after it’s happened.

Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.

This story is centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence. A shaw production

No description available.

Three young martial arts brothers, played by Chi Kuan-chun, Alexander Fu Sheng and Leung Kar-yan, go in search of fellow patriots dissatisfied with Imperialist foreigners and wind up joining a rising sect of the Boxers, led by an opportunistic conman. Named as such for their use of martial arts, these boxers are revolutionaries who believe that spirits protect their bodies from foreign guns. They even dupe the Empress Dowager, who gives them her royal blessing to fight the foreigners.

It starts off well enough with some nice build-up in a sprawling deserted farm town (a nice backlot on a Taiwan location) as various motley characters show up at the town's only open establishment, a tavern/inn, with some evil doings in mind. When advance men for the title bandits show up to lay the groundwork for a raid, they round up all available hostages but one. That one is the film's lone hero (Chang Yi), whose motivation is simply stated—he's there to check up on family—but no one believes him. At the thirty-minute mark, he launches into an eight-minute battle with the two bandit chieftains, hand-to-hand with one (Sammo Hung) and swordplay with the other (an actor I didn't recognize). It's a well-staged brawl and it spreads all over the empty town.

Set during a period of depression, the film chronicles the daily lives of a single urban building split up into several separate units, and the actual people that dwell within.

When a young man ignores a feng shui master’s warning and decides to marry before turning 30, a series of mishaps begins to curse his life.

The place: Shanghai. The time: 1921. The Japanese aggression towards China is getting stronger each day. Enter Hsueh Ao-Lin, an agent of the government sent to uncover the Chinese traitors helping the enemy. Once inside, Hsueh must fight both the Japanese and his countrymen for his sake, and the future of China.

Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.

Hong Kong movie