Directing
A tense vignette about the fate of an unlucky man in poverty-stricken Weimar-era Germany.
Researchers in the African jungle find a young white woman living with a tribe, that adores her as goddess. They carry her off and proudly report to the press. It turns out that she may be Liane, the long lost daughter of the rich shipowner Amelongen. So Toren starts civilizing her and takes her to Germany, where she - now in love with Toren - has to defend herself against accusations of legacy-hunting. Will she fit into her new society?
Helene has agreed to marry a man that she isn't in love with. On the day of her wedding her cousin arrives just in time to rescue her and they run away together. They stay with her aged grandmother who assumes the young man (whom she doesn't know) to be the new husband and has prepared a bridal bed for them.
A German expedition is in the African jungles on an unidentified misson. During this mission one of the German explorers, Thoren, is attacked and captured by the local natives called the Botos.
Two dubious characters disguise themselves as Holmes and Watson to gain attention and end up chasing counterfeiters and stolen stamps.
The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.
Released three days after Adolf Hitler became Reichskanzler, it was the first film to have its screening in Nazi Germany. It became a symbol of the new times touted by the Nazi regime. The title (literally "morning-red") is the German term for the reddish coloring of the east sky about a half hour before the sunrise. On patrol Captain Liers and his submarine crew sink an important British ship, but while returning to harbour, they're lured into a trap by a British vessel disguised as a neutral Danish one. They sink it after it attacks them without warning, but while they prepare to rescue survivors, a British destroyer sinks the sub. On the sea bed 60 feet down, with all but the bridge flooded, the 10 surviving crew have only 8 rescue devices. Liers orders the crew to use them, but they disobey - either all escape or nobody does.
Patriotic Austrian costume drama, about the martyr Medardus who opposed Napoleon's occupation of Vienna in 1809. The plot proceeds in a series of confrontations with Medardus, his mother and sister, the blind exiled Count of Valois, his ambitious daughter, and Napoleon himself (portrayed as a cool strategist), including several brief flashbacks.
In the first of Hartl's two Mozart biographies, Hans Holt plays the robust and dashing composer who, in keeping with the spirit of the film's time of origin, sets out into the world like a soldier of art after his falling out with the Salzburg authorities. Instead of conquering lands, he conquers the hearts of young ladies, like one of his most famous creations.
Renate Brinkmann is a German lady on a railway journey in Africa. She is wooed by two very different men. One is a hard drinking, cocky French aviator, the other a sensitive German gentleman.
Murder in a suburban hotel: suspect is the British upper-class-woman Dorothy who’s accused of murdering her husband – a fraud who gained wealth with shoddy tricks. Dorothy’s memories unveil piece by piece the prelude to this act of desperation.
An opera company tries to get an engagement.
Comedy with an Egyptian backdrop: Businessman Tobby and the Countess Stafanie wish to take all the fun away from their single parents and make them marry each other. Their parents have the same plan, too ... but with regards to their nosy kids. And so it happens, that Tobby wants to surprise the parents with the announcement of their -- the parents' -- engagement at a party (so nice to let them know), but is one-upped by Stefanie's father, the old Count, who announces the engagement of the kids. To avoid a scandal, they have to get married, but will divorce later.
Lieschen Müller wants to advance her career under the name of a revue star. Of course, the deception is discovered, but this does not hinder her rise to fame. On the contrary. The Vienna Ice Revue, accustomed to success, is in crisis and urgently needs a box office hit. Otherwise, creditors will cut off the money supply.
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Deeply disappointed by her bridegroom, Andrea flees from Bruggern to the south and experiences a beautiful "Romance in Venice". She falls in love with the boyish-charming pianist Stefan Schröder. But a misunderstanding leads to breakage. Andrea returns pregnant to Germany. Stefan signs a contract for America. And the years go by .
A restaurant cashier, who has a mutual attraction to the restauranteur, has a secret passion for dance. As soon as she finishes work she is off down to the dance studio for a practice. She has a chance meeting with a handsome impresario, who promises to make her into the greatest dancer the world has ever known.
A Moscow hotel waiter, found at the scene of a murder, tries to locate the real killer among a series of suspects.
