Directing
Two teenagers, Vera LĂşcia and Beto, run through the forest, full of expectation, enthusiasm and fear. She seductively invites him to swim in the river. Beto has to choose between going into the water and staying with Vera LĂşcia. Many years later, Roberto spends the day at the foot of a waterfall with his wife, and confronts the results of his choices.
In a morgue, the corpse of a young man that suddenly died on the streets probably due to a heart attack will be examined by the coroner Elizabeth (LetĂcia Spiller). She questions with her colleague the death of a person so young and handsome, but the brain of the dead man somehow is working and he falls in love for her. Meanwhile, a deranged man invades the morgue and threatens Elizabeth with a gun, with the witness of the dead man, who is immobilized (since he is dead) and unable to help her.
No description available.
Far away from any other urban centers, ItapuĂŁ is a small community with the characteristics and rituals of everyday life. The location, which sheltered 1,454 people and has more than 70 years of existence remains with only 35 residents all over the age of 60. No one likes to remember what the place was in the past, even though for many the memory is etched on their bodies.
Fred is a blind boy who lives alone with his mother. Out of his dull routine, in which nothing ever changes, he speculates continually about the color of things and claims to prefer the color white, which represents for him everything that is unattainable.
Hermano is a doctor who plans to climb a dangerous mountain. He feels guilty about the death of his best friend and needs a test of courage. But Hermano's wife reveals that she is pregnant and he needs to make a decision.
The disaster of the fall of a bridge, followed by the greatest of all disasters: human stupidity.
Being a child does not mean having a childhood. A reflection on what it is to be a child in the contemporary world.
The Method shows and reveals the knowledge and tools used by great documentary filmmakers on the challenge of representing the reality.
Cláudia, the longest-serving and most respected inmate at Madre Pelletier Penitentiary, is expected to leave prison soon. Like Betânia, who will be placed in a semi-open regime, and unlike Daniela, who recently arrived and is awaiting trial. While Daniela seeks protection in prison, Cláudia and Betânia will face the uncertainties of returning to the streets.
