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Lucille Patton

Lucille Patton

Acting

Known For

Law & Order: Special Victims Unit
7.9

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

Law & Order: Special Victims Unit

1999
The Believer
6.9

A hardcore US racist skinhead who, because of his intelligence, leads a gang dedicated to fighting the enemy: the supposed American-Jewish conspiracy for domination. However, he's hiding a secret: he's Jewish-born, a brilliant scholar whose questioning of the tenets of his faith has left him angry and confused, turning against those who he thinks have a tragic history of their own making.

The Believer

2001
The Gambler
6.7

New York City English professor Axel Freed outwardly seems like an upstanding citizen. But privately Freed is in the clutches of a severe gambling addiction that threatens to destroy him.

The Gambler

1974
The Narrows
5.8

A 19 year old Brooklyn boy who is torn between two worlds when his photography portfolio wins him a partial scholarship to NYU. He must figure out how to balance his Italian neighborhood roots with the expansive, sophisticated world on the other side of the East River. Based on Tim McLoughlin's novel "Heart of the Old Country".

The Narrows

2008
Giving It Up
4.2

A womanizing New York adman attempts to identify the causes of, and find a remedy for, his so-called addiction to sex, in order to win the love of a woman he respects.

Giving It Up

1999
The Portrait
6.0

After a long absence, artist Margaret Church returns to her aging parent's home to finish a portrait of them, only to to discover that her parents have decided to sell their home.

The Portrait

1993
Engram
N/A

An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.

Engram

2014
Concerning a Woman of Sin
10.0

An unscrupulous agent is able to sell a story by an unknown authoress to a Hollywood studio chief for big money. But he has to conceal the fact that the writer is only nine years old.

Concerning a Woman of Sin

1949