Ulla Ryghe

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

In the midst of a civil war, a pair of former violinists in a tempestuous marriage oversee a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.

A Swedish pastor fails a loving woman, a suicidal fisherman and God.

Karin hopes to recover from her recent stay at a mental hospital by spending the summer at her family's cottage on a tiny island. Her husband, Martin, cares for her but is frustrated by her physical withdrawal. Her younger brother, Minus, is confused by Karin's vulnerability and his own budding sexuality. Their father, David, cannot overcome his haughty remoteness. Beset by visions, Karin descends further into madness.

A small picturesque town at the turn of the century. The conservative views of the townspeople are shaken when they find out that the school teacher Franzén published his own poetry anonymously many years ago. At the same time he acknowledges his love affair with a waitress at the city hotel, Fanny. What is most upsetting is the fact that Fanny has a grownup daughter, Anna, with no known father. Could their poet teacher be the father although he and Fanny are not married?

A family drive in the countryside turns into a battle of wills between a young boy and his father and aunt.

A woman is driving alone one evening, when she almost run over a man lying in the road. She gets out of the car to see. Suddenly the man attacks her. Eva Jansson's dead body is found by a local farmer, who calls the police. Soon after fashion designer Maj Berg comes driving the same road and is stopped by the police. When the road is cleared for traffic Mrs. Berg drives on but happens to get a flat tire. While changing to the spare wheel, she finds a black notebook in the ditch. Back in Stockholm she opens the notebook and finds a strange jotting that concerns her.

Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the cellist's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.

A young woman struggles with life, love and career. She is courted by a young man but is unwilling to enter into a relationship if it means limiting her freedom.

ALLIES is a landmark documentary from 1983, made at the time of Bob Hawke’s unequivocal embrace of the American alliance.

Edit is pleased that her mother agrees to let her buy a dress she loves, but which in fact is made for an adult woman.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

Eight vignettes on a variety of topics, including a baby growing up, Charlie Chaplin, Birgit Nilsson, the racing track at Le Mans, erotic cleanliness, French literature, and a black woman in a cupboard in the neighborhood of Farsta near Stockholm.

About a young couple who accidentally by car run over someone and kill him. The victim turns out to be an escapee from an asylum for the mentally ill.The two wander around the country side trying to figure out the situation, which quickly turns out not only to include the fatal accident but also the same to their own mutual situation. The catastrophe becomes the catalyst for their own emotional confrontation and settlement.

This short film consists of 16mm home-movie footage recorded by Ingmar Bergman during the first two years of his son Daniel’s life, beginning shortly before his birth and continuing through early childhood. The material was edited by Bergman as an independent segment for inclusion in the 1967 Swedish anthology film Stimulantia.

"A testimony about her." Her being the actor and vocalist Monica Zetterlund. At 25 in the beginning of her career. Monica sings with a trio at a concert. Returns to her empty home in Stockholm. Relaxes in loneliness. Next morning. An interview with writer Vilgot Sjöman. Then off to recording at a studio with the Phillips Recording Orchestra, featuring Jan Johansson on piano. Later a concert at Nalen in Stockholm.

Britt and Danin meet by chance one evening in Stockholm. During the long, bright night in June they act a half childish, half erotically strongly conscious hide-and-seek game with each other and with their own feelings

This short film was an experiment in using video recordings and closed circuit television to stimulate social action in a poor Montreal neighbourhood. A citizen's committee filmed people's concerns and then played back the tapes for the community. Upon recognizing their common problems, people began to talk about joint solutions. It proved an important and effective method of promoting social change.