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Ferda Mravenec (Ferda The Ant, 1944 ) runs over ten minutes, telling the tale of an ant colony versus a spider. This one is teeming with characters, with impressive animation, fun gags, and a good story.
Zdenek Pešánek created the first public kinetic sculpture, for the power station in Prague. This short experimental film focuses on a kinetic sculpture by Zdenek Pešánek. For a period of eight years it issued beams of light from the outside wall of a transformer station at Prague’s power utility before its destruction in 1939. Though genuine, these shots seem abstract to us. They are a rhythmically assembled ode to the light-creating devices and phenomena of electricity. Light arcs, coils, bulbs and various luminous elements support the alternation of positive and negative film images, creating an impressive universe of light and shade. In the 1920s, Pešánek had obtained financial support for his work with electric kinetic light art. In the 1930s, he was the first sculptor to use neon lights. He built several kinetic light pianos, and published a book titled “Kinetismus” in 1941. —http://www.centerforvisualmusic.org
Instead of working, young typists are busy showing off their purchases to each other. When they don't respond to the clerk's bell, a superior comes into their office. The girls scatter to their typewriters. Only the boldest of them explains that they are getting ready for a ball and have therefore bought new shoes. The clerk remembers that he used to dance when he was young, and the girl asks him to dance. However, the man soon runs out of breath. The film ends with a display of dance shoes by the Baťa company.
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
Milada Dvořáková is about to get married to her business partner Dub, a gas station owner. When she catches him hugging his secretary, she breaks up with him. She sets up a rival company, ŽUB (Women at Gas Stations), and employs only single women. Dub also gets into the competitive fight...
While in Bohemia, an American industrialist named Craigs goes missing. In Prague, the police have arrested a man without identification, who bears a striking resemblance to Craigs. The doctor, the secretary, and the hotel staff all claim that he is the industrialist. The man denies this claim. When he learns how harsh and despotic the man he is believed to be is, he agrees to go to London and adopts his new identity.
When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.
