Yumiko Nogawa

Broadcast TV drama NHK broadcast on January 4 to December 13, 1987 (Showa 62). In the questionnaire survey conducted by NHK, it is shining in the most favorite river drama. The original is Yamaka Sosaichi's novel "Date Masamune", the biggest drama on the theme of the Date house was the first time in 17 years since the "Shinnogi remained" (1970), which painted Datejo in the Edo period. It depicts the life of Matsudo Date of Sengoku warrior · Date Masamune who built the foundation of Sendai clan 620,000 stones in his generation as a result of my own wisdom and talent.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...

Monjiro was born into a poor farm family in Mikazuki Village, Nitta County, Ueshu, and abandoned his hometown when he was 10 years old. He has been traveling aimlessly with a long toothpick in his mouth. Monjiro avoided getting involved in anything, but wherever he went, he ended up getting involved in incidents

Choshichiro Nagayori Matsudaira is the son of Tadanaga Tokugawa, which makes him a nephew of the Shogun. Tadanaga died as a result of an alleged plot to overthrow his elder brother, the third shogun Tokugawa Iemitsu. Because of Choshichiro’s complicated background, he lives among the commoners in the shogunal capital city of Edo, punishing the evil when he sees wrongdoings and injustice.

The 33rd NHK Asadora. Starring Eisaku Shindou as a man who loves manzai (a traditional style of stand-up comedy in Japanese culture). Average rating of 40.2% Based on the life of a famous two-man comedy act writer, Akita Minoru, who loved comedy more than anything. His life itself was full of wit and humor, love and friendship.

Teppei Omori is a man of extraordinary virility, with 21 mistresses, over 30 children, and more than 1,100 women he has had relations with. Teppei's daily routine involves visiting each of the beef hot pot restaurants, "Akasatana," run by his mistresses, to collect the sales and keep an eye on the women. One day, Noe, one of his mistresses at the first branch, announces that she wants to marry Urakawa, the chef. The other mistresses, in the prime of their lives, can no longer be content with working for him only once a month, and they compete for Teppei's attention, cheating on him behind his back.

No description available.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

A film produced by Toho and Watanabe Productions as part of the Crazy Movie project featuring The Crazy Cats comedy group and jazz band members. It is the sixth film in the Crazy Operation series where the lead role was handed over from Eikichi Ueki to Kei Tani. According to the plot, Planet Alpha Secretary severely worried by the effects of the Earth's atomic bomb experiment and sent Mistake 7 and Zero 8, as a watchers to Earth for a nuclear disarmament.

Set in Osaka just after the end of the war, the story depicts an unconventional merchant who returns from evacuation. The film is based on the novel of the same name written by Teru Miyamoto, and the screenplay was written by Eizo Sugawa, who also wrote "Horagawa". The director is Takeichi Saito, who also directed "Kawachi no Osan no Uta: Yokita no Ware". Kozo Okazaki, who worked on "I am a Cat," is in charge of the cinematography.

Sakura is a single 39-year-old woman who works as the assistant manager at a beauty salon. She spends her days making her customers look beautiful but doesn’t pay much attention to her own appearance. All of that changes when she goes to a party and meets Hiroto, a much younger man who is a biker. Will Sakura revel in the attention of the handsome but dangerous Hiroto or notice the constant interest of her hard-talking and hard-drinking salon manager, Rintaro?

1968 film

Thirteen years after his mother took her own life as a ritual sacrifice for the Black Mass, samurai Kyoshiro (Masakazu Tamura), who lives his life with his eyes turned away from happiness, uses his beloved sword to slay his enemies who come at him.....

Three women, deceived by a man, make full use of their feminine weapons, replete with daring and unbridled seduction strategies.

It is the Taisho era in Japan. A man has quit the Yakuza after five years and returned to Shikoku in order to begin his life anew as a ferryman. His boss, however, became ill and the boat is taken due to unpaid debts to the local thugs. His new life has not begun well and he is determined to rebuild the shattered business. The Yakuza, however, have added the ferry business to the rest of their portfolio of local concerns.

A Yakuza group from Osaka with dreams of national dominance moves into the snowy Hokuriku region, sparking a bloody turf war with local gangs.

A young intellectual conscientious objector is forced to serve with the Japanese army in Manchuria. He joins with a dim-witted former gangster in an effort to desert by stealing a train.

In this gripping period drama, Matsudaira Ukon, the younger brother of the 11th Tokugawa Shogun Ienari, lives in the city as Yabutaro, a doctor in the Ukiyo Koji district, while fighting the evil that has infested the city of Edo.

Rumors are circulating that the shogunate is losing control of some feudal domains. Lord Yagyu Munefuyu is assigned to deal with the problem and the rebellious clans will be crushed! Meanwhile, a former vassal of the Kazama clan is shot and killed. Moments later a second man is killed by a mysterious master swordsman. Matsudaira Choshichiro and his companions arrive at the crime scene and find a new type of repeating gun. The carved seal on the gun stock belong to the Saiga; a ninja clan abolished by the shogunate many years ago. The blame for the murders is placed on the Kazama clan. Are they guilty or is this a wise cunning plan by Lord Yagyu to be able to destroy the Kazama clan? Choshichiro sets out to reveal the truth and try to save the doomed Kazama clan! In his way are the Owari, Lord Yagyu and his ninja assassins, and the mysterious master swordsman! Will Choshichiro prevail against impossible odds...?

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.