Maria Pia Luzi

A day in the life of an unfaithful married couple and their steadily deteriorating relationship in Milan.

An alien race sends cyborgs — made to look like the son of a famous scientist, whom they killed when he landed on their planet — to Earth to help pave the way for an invasion.

A series of sketches about people who have illicit affairs in a motel: among them a starlet and a pilot, two bit Casanovas, an industry manager and his secretary.

A woman goes behind bars in order to save her father's life.

A day in a tribunal where the defendants are: the manager of a soccer team, charged with bribery, two Sicilians who have sold fake archaeological findings, two nuns who have offended a public servant and an industry manager.

A small town in Italy is about to celebrate their patron saint. The city is full of people with different problems. A Communist in existentialist crisis that also must take care of his mentally ill wife. A woman who is tired of her husband's inability to show emotions and therefore more and more often slips into the world of dreams. A perverse butcher engaged in sex with the meat he sells when he's not peeping on young girls. A girl who became pregnant after having sex with her father. In this town a mysterious stranger show up and who turns on several of the inhabitants lives.

A diamond heist with colorful characters and crisp cinematography, the humor is best described as unsophisticated Terence Hill and Bud Spencer larks complemented by crude animation, a bright and jazzy score by Cavallone regular composer Franco Potenza and a bevy of stunning women: Maria Pia Luzi, Beryl Cunningham, Magda Konopka and Claudie Lange.

Conqueror of the World, a thrilling and explosive story of violence...of human drama, of a rare man, strong and primitive. Set two hundred thousand years ago, when the human race had to adapt to their brutal, savage environment or disappear into oblivion.

A violent examination of male homosexuality in a time when it was considered taboo, where Ivano Staccioli and his lover engage in a self-destructive relationship against the background of Africa.

Stefano, son of the Mafia Don Angelino Ferrante, is killed by Gaspare Ardizzone (John Saxon) for refusing to sell some valuable land. The old don sends for Ferrante Santino Billeci from America, in the hope that he'll be able to help in getting revenge. But Gaspar, meanwhile, is becoming the most powerful and ruthless boss of the area...

Two American soldiers fresh from the Vietnam War are haunted by the atrocities that they witnessed and committed while on a vacation in Copenhagen, Denmark.

The Albatross travels from England to the New World in 1675, with a number of passengers, a couple of political prisoners along with a dozen other women convicts, these to be sold into slavery on arrival. The woman activist frees the dozen of low-cast women, and they take over the ship. After a storm, the captain takes back control of his ship. Since mutiny is punishable by death in the New World, the mutineers try to reroute the course, tossing Desny and Purdom in the brig. A practical male mutineer wants to throw the women overboard to save rations, but the women free Purdom and the captain to battle the mutineers. A British warship comes to the rescue, and the captain pardons Angeli and Purdom for having saved his life.

Carla and Dino, both in a matrimonail crisis, fall in love. But life will not help this love story.

The inspiration, as the title tells, was Les Chants de Maldoror (The Songs of Maldoror). Cavallone followed only loosely the poem, interpolating some of its most outrageous content within the story of a film director, Paolo (Gianni Garko) who’s undergoing a deep personal crisis. The first part (which producer Giuseppe Tortorella labelled "mythological porn") is set in Italy, as Marco is working on a film called Maldoror, and focuses on his tormented relationship with a married woman, Monica (Jane Avril). According to the script, it was filled with excessive and cruel images, extracts from the film-within-a-film which were liberally spliced within the plot, and in their uneasiness somehow predated Pasolini’s Salò.

Henry Davis and Zelda are a couple with peculiar sexual tastes. In order to have more freedom, they send their daughter Ingrid to study in a school away from home. They have a relationship with Ursula but, after some time, when they get tired of her, they involve Christian and his wife Clarissa in their erotic games. When Ingrid comes to spend some time home, her presence becomes the catalyst of profound transformations.

A couple has found peace in a strange manor by the sea but, on a hot evening, a visitor comes, troubling their solitude. However, three is not actually a crowd and they start start talking, exchanging points of view about philosophy, sociology and politics, eroticism as well.