Normunds Laizāns

The storyline of the series is inspired by the events of 1994 in Jelgava, when 89 prisoners escaped from Pārlielupe Prison, tens of thousands of people were involved in their search, and mass arrests continued for ten years. dramas of mutual relations, a massive and enigmatic escape is organized, in parallel with the flourishing of the love of the main character and the daughter of the head of the prison and the hopes for a new, beautiful life.

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

Marta will meet a charming and rich man, but love will blind her eyes and Marta will not notice the true intentions of her new sweetheart behind her rose-colored glasses.

An awkward young man adopts the online MYSPACE identity of his friend, a popular journalist, in order to attract a woman who he otherwise feels would be out of reach. He succeeds and after corresponding with the girl for some time, he travels to meet her, all the while impersonating his friend (whose picture is rarely published with his articles). Surprisingly, when he finds her, she is living with her boyfriend and claims to have no MYSPACE identity at all. It seems the recluse neighbor of the girl has hijacked her online identity also. Intrigue and moral corruption ensue as this case of stolen virtual identity leads to disaster for both the imposters and all those involved.

Donats is a modern-day Don Juan juggling the various women in his life seemingly without any consequences, until he falls in love with Agnese. Her husband, Ralfs, turns out to be a formidable opponent.

The heroine informs both lovers about her pregnancy in order to determine by their reaction how serious the feelings of each of them are.

The movie shows a young man's life dramatically changed after his friend is murdered. It is ironic - if to look with today's eyes - and nostalgia evoking portrait of marginal society and environment in the early 1990s with allusions to the western cinema - film noir related themes, surrealistic features, avantgard cinema stylization and formal aesthetics.

A young couple of biologists and their two children move from Riga to a nature reserve where they're provided with an old country cottage. They start to repair the cottage and feel at home, but the former owner of the house suddenly returns from Canada. When he realises that the present inhabitants have kept the spirit of the place alive, he gives up his rights to the cottage. The film then concentrates on him coming to terms with his memories of his time as a guerilla, when he found his first love, his 'sister-in-arms', who betrayed him fifty years ago. The film also investigates the relationship between the young biologists and nature, and the process of reaching adulthood. The title of the film, The Nest, stands for the surroundings of living nature (the forest, the marshes, the coast) and more generally for the small fatherland that has to maintain its position among great powers such as Russia, Germany and America: countries that largely shape the fate of the characters.

Members of a class of the 1980s hold an annual gathering. All together spend one night remembering the passions and hopes of youth and realising what has been achieved or missed.

The film’s protagonists Ieva and Apollon are former workers of a collective farm. Once they loved each other passionately. Yet it was in "another" life, the time of kolkholzs. The attempt to revive that love ends up in a tragedy. However the story goes on. The events around their burial are so intriguing that mass media raise them to the level of the United Nations.

Una and Dāvids seem like a happy, wealthy couple, but Una, a former actress, feels insecure about her place in the relationship. Rumors in the tabloids and mysterious texts about her influential husband deepen her doubts. When their friend Oskars visits to negotiate a business deal, tensions rise. Una escapes the pressure by teaching a theater masterclass to a student named Gustavs, where she hatches a plan to protect her role in the family. What begins as a personal struggle turns into a fight for survival. Who is the victim and who is the killer? The viewer must decide.

A man decides to help out the mob, hoping for a reward.