Elita Kļaviņa

No description available.

A Latvian series shot by the team at Jaunais Rīgas Teātris / New Riga Theatre over the course of summer 2020 during the Covid-19 pandemic. It's a story about a world that once again changes rapidly. About the belief that everything on this planet is subject to manipulation. The series centers around an advertising agency - a classic office where professionalism mixes with boredom, romance and an existential tiredness.

The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.

Riga, Latvia. Four women: Elita, a passioned actress, Elina, her daughter, Iveta, a tourist guide and Paulina, a teenage ballet dancer. All are in love and going through strong emotions. A free-style composition about passion and arts, a visually stunning cinematic jazz partition.

Anastasia is 13 and her sister Diana is 11. The two sisters live in a Latvian orphanage. When they find out that an American family is ready to adopt them, Diana cannot wait to move to the States, while Anastasia is less excited about the idea of leaving her home.

The second half of the 19th century. The arrival of land surveyors in a Latvian village for the redistribution of land provoked a scandal...

A young woman, Regina, has been killed in her apartment. Investigator Anderson holds Regina’s husband as a suspect for a murder because he is unable to remember his location at the time of the fateful event. Gradually, Anderson is convinced that Oto has not only killed his wife, but he also tries to hide his true identity – notorious criminal Schmit.

A tale about a nine-year old boy's relationship with the world around him, shot in one of Latvia's poorest and most beautiful regions - Latgale

Trying to make a professional impression, the teacher of the 9th grade Dārta organises a parents' school meeting, but the parents' childish behaviour turns the gathering into a disaster, becoming the biggest challenge of Dārta's career so far. The new teacher prepares for the meeting, while the parents arrive late - so does the businessman Jānis, the president of the parent's school council Žanete arrives with flowers and a gift; the spouses of an open marriage Valts and Laine playing "truth or dare", while the recently divorced Maija and Raivo exchange barbs. The planning of the children's graduation turns into an absurd escalation of conflicts between the parents.

About how Gūtenmorgens, unwilling to celebrate Jāņi, defends Latvian traditions and finds a fern flower. Gūtenmorgens tries to dampen his friends' enthusiasm for celebrating Jāņi, until Bērziņš finds him a foreign journalist to be his partner for the celebration. Becoming a defender of Latvian traditions against the foreigner's desire for entertainment, Gūtenmorgens discovers the mystery of Jāņi and meets his future wife.

An intimate portrait of a young couple, Zoryana and Edgars, and their hardships as young, 17-year-old parents, living in the countryside in a remote part of Latvia. The limited job opportunities available in their rural area have left the family mired in poverty. Zoryana becomes a hostage between her two closest people, her mother and Edgars – she must choose between her mother’s advocacy of countryside as the best place for raising a family and life in the city, which would offer more creature comforts and more opportunities to earn a living. Zoryana Horobraya sweeps us along on Zoryana’s journey, as she tries to escape the protective bubble of her mother and define her own family’s happiness and existence.

17-year-old Ria is a sensitive and mysterious young woman. Ria's mother has suffered in a car accident and has stopped speaking since her daughter's birth. The family grows deer for sale, yet, the business is not successful. To earn some money, her father decides to organize a hunt.

A sprint on premiere day. “Look! This is all yours. It’s all yours. Just run. Hold out your hand, Miru. Take it! Run faster!” a voice in her head whispers to start the day. The assistant director’s day is destined to unfold in a series of unfortunate and unlucky episodes: buying metal hair curlers, taking her three-year-old daughter to her grandmother’s, taking an actress who is having panic attacks to an interview. And then Kaspics, one of the main actors in the performance, disappears. Miru has nothing left — a day to live, a premiere to save.

A man arrives to a flat to start living there, only to discover a young woman with a child already present in the flat.

Gutenmorgen is an eccentric family man who tends to see his life in bright colours. In order to improve his failing eyesight, Gutenmorgen decides to open a third eye. Gutenmorgen begins mediating with a self-proclaimed guru and hopes that this unconventional activity will make his family and friends appreciate him just a little bit more.

An actress faces a difficult choice when her teenage daughter gets unwell right before the opening night of a show.

They are bonded by their pain, longing, and their current residence – a semi-open prison for women. While staging Anton Chekhov’s play, Three Sisters, together with professional actors, imprisoned women reveal their harrowing life-stories, dreams and the longing for a decent life outside the prison walls.