Mário Pereira

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Joana lives in a small and remote village where people are very primitive and religious. When accidents start happening that involves her, people slowly start believing that she is possessed by the devil.

During a tour of the province, someone mistakenly leaves a baby in a singer's car without him noticing. António decides to take the child in, with Madalena, a fellow artist. But the presumed mother, claiming it was a mistake, enlists the help of her brother, a police officer, which leads to a chase to Porto.

Maria starts working in the school of a small town. The count starts to feel attracted to her, but she holds a secret she doesn't want to share.

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The Fidalgos da Casa Mourisca are ruined. Poor management and the pride of D. Luís have led the estate to this situation. However, Jorge, the eldest son, is not happy with this and decides to ask for help from a farmer who has prospered: Tomé da Póvoa. Tomé da Póvoa has a daughter who was educated outside the village and is now returning home. Jorge falls in love with her. But the proud and inflexible D. Luís, Jorge's father, does not agree with either Jorge's proposed economic recovery plan or his passion for a commoner.

The struggle between two friends: one, symbolizes the deepest incredulity about religion; the other, priest Manuel, endures insults with stoic resignation, but doesn't give up on installing words of faith in the hope of recovering his soul for God. In a pathetic atmosphere, in which everyone defends the primacy of their beliefs, they feel surrounded by a bundle of circumstances linked to a secret of love, with an unexpected and disconcerting outcome ...

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