Acting
Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.
Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.
The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.
Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.
The Fidalgos da Casa Mourisca are ruined. Poor management and the pride of D. Luís have led the estate to this situation. However, Jorge, the eldest son, is not happy with this and decides to ask for help from a farmer who has prospered: Tomé da Póvoa. Tomé da Póvoa has a daughter who was educated outside the village and is now returning home. Jorge falls in love with her. But the proud and inflexible D. Luís, Jorge's father, does not agree with either Jorge's proposed economic recovery plan or his passion for a commoner.
15th century. D. Afonso, an old jealous nobleman, demands that all stay away when his wife, D. Leonor, goes to church to pray to Our Lady of Mercês. Another nobleman, D. Rui, sees her and fells under the spell or he beauty. D. Afonso orders his wife to retreat to Quinta do Cabril, and decides, one night, to stab his rival to death. It is then that a hanged man decides to intervene. - MOTELx
O Outro Teatro proposes a look at the independent theater manifestations that came in the wake of the pioneering gestures of Teatro Experimental do Porto.
