John Kelleher

Strumpet City was a 1980 television miniseries produced by Irish broadcaster RTÉ, based on James Plunkett's 1969 novel Strumpet City. It was RTÉ's most ambitious and expensive production to date. The script was written by Hugh Leonard, and Peter O'Toole played James Larkin, the union leader.

Verena Steynton is holding a party for her daughter. All the aristocratic families of Strathcroy in the Scottish Highlands are attending, with all their guilty secrets...

A war veteran tries to investigate the murder of his son who was working as a Russian translator for the British intelligence service during the Cold War. He meets a web of deception and paranoia that seems impenetrable...

Two young women living in a strict, fundamentalist, polygamous society, Kaidence and Galilee, find themselves bound to one another, under the same roof, in the same marriage, as they develop scary, new, exciting feelings for each other. In a harsh, regressive, watchful community where being queer is considered a cardinal sin, they begin having thoughts of leaving the only life they have ever known behind.

During World War I, British soldier Owen is mortified by the examples of cruelty that surround him in the trenches. He combats these terrifying images by maintaining hope in his love for an army nurse. But he also begins to accept his fate as another battlefield sacrifice.

Fatso is the proprietor of what may be the worst eaterie in the city, and is struggling to keep a sinking ship afloat. His compulsive gambling is getting the better of him and he has to contend with an endless succession of loan sharks and debt collectors. He employs hopelessly incompetent staff and generally manages to keep the entire community around him ticking over. However just as Fatso seems to be getting everything under control, he is faced with a dilemma that could destroy him for good.

A feature-length documentary that tells the story of the Censorship of Films Act 1923 and how one canny term in that statute has allowed consecutive holders of the role of Film Censor to reflect the prevailing values of Irish society over the last 100 years.

"Man in the Sand" is a 1999 music documentary that chronicles the collaboration between Billy Bragg and Wilco, which involved the musicians creating new music to accompany lyrics that were written decades earlier by folk singer Woody Guthrie. The project, which was organized by Woody's daughter Nora, spawned two albums: "Mermaid Avenue," released in 1998, and "Mermaid Avenue Vol. II," released in 2000.

Two young Irish men are watching an old Elvis Presley movie in which a carnival cyclist performs an act called the Wall of Death. Transfixed, they decide to put together their own "Wall of Death".

Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).

Veteran journalist Charlie Bird battles the debilitating effects of Motor Neurone Disease while trying to break one final story in the time he has left.

This video was filmed at over 250 locations all over Ireland. Expertise on how to unlock your own family's roots, find your personal coat of arms. This video gives practical advice for those intending to visit the land of their forebears. This is your Irish story, cherish it.

Two men from rural Ireland, who served as inspiration for the movie ‘Eat the Peach’, are tempted back to the Wall of Death by a charismatic Glasgow artist with something to prove. ‘The Artist & The Wall of Death’ is a story of second chances, of art vanquishing death, of embracing failure and of unfinished business.