
Atílio Riccó
Directing
Known For

No description available.
Ídolo de Pano

No description available.
Os Imigrantes

Nonô Corrêa, extremely stingy, puts padlocks on the refrigerator and pantry cupboards to prevent his children, Elisa and Tomaz, from eating more than he considers necessary. Nonô never forgets to raise the rents on the apartments he rents, leaving the tenants desperate. The funny thing is that Nonô is very rich and hides his precious fortune from everyone. The only one who knows his secret is Anselmo. Another character who suffers from Nonô's miserliness is the maid Frosina, who has worked for him for over 20 years. At a certain point in the story, an orphan, Zezinho, crosses Nonô's path. The boy wins the heart of the neurotic man.
Amor com Amor Se Paga

No description available.
Hipertensão

No description available.
Papai Coração

No description available.
Chiquititas

No description available.
Louco Amor

No description available.
Rebelde Way

No description available.
Santa Bárbara

No description available.
Como Salvar Meu Casamento

No description available.
Jardins Proibidos

To defend the humble Soró Sereno in a traffic accident, the mysterious Ciro Cerqueira, a bus driver, ends up getting involved with the traditional italian family of Mamma Vittoria Cantarelli, owner of a chain of canteens in which he starts to work as an executive, and is torn between the love of the matriarch's granddaughters, the responsible Luísa and the seductive Bruna, a woman who spares no effort to get what she wants.
Pão-Pão, Beijo-Beijo

No description available.
Telerromance

No description available.
Salário Mínimo

Vera de Almeida Barreto highlights her choices as a woman dedicated to family, sacrificing herself to support her husband's career and raise their three children. Upon discovering Lourenço's affair with lawyer Daniela Lopes (Rita Salema), a younger woman, Vera reevaluates her life, questioning her role as a woman and facing a lack of support from her children in this challenging situation. The plot becomes even more complex when Vera falls in love with a younger man, challenging societal norms and exposing the double standards surrounding age differences in relationships.
Nunca Digas Adeus

A widower who was anything but traditional for the 1950s, Álvaro has a frank relationship with his daughters and becomes the target of criticism from his sister-in-law Fausta, especially when he meets Marta.
Bambolê

No description available.
Anjo Meu

No description available.
Chico Anysio Show

No description available.
Um Homem Muito Especial

No description available.