Chinghiz Aitmatov

Al Yazmalım was a Turkish television series based on the novel The Red Scarf by Chinghiz Aitmatov and 1978 Turkish romantic drama film The Girl with the Red Scarf.

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Based on the story of Chingiz Aitmatov "The White Steamer". In a forest cordon, lost high in the mountains, an old man and an old woman and his daughter live with their family - a husband and a seven-year-old son named Shambala, which means "boy-candle" or "boy who radiates light." Shambhala faithfully believes in the ancient myth of the Mother Deer, who saved the last baby of their kind, Bugu, from enemies and fed him with her milk. And although over time people exterminated the deer, the boy believes that someday the deer will still return to their land.

The story of Tanabai the blacksmith, father of three children, who upon his return from war became a herdsman, and his tragic love for the soldier’s widow Byubyudzhan. The lyrical poem has an additional storyline concerning the horse Gyulsary and his master Tanabai.

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The story of the suffering of a boy who is put on a sheepskin coat and gradually becomes a man-eater.

This is a love story set in the steppes of Central Asia of today. Temür a thirty year old Kazakh decides to start life again in his ancestral village in the Kyrghyz Mountains. He discovers soon after his arrival that he is a misfit in this settlement of old conservative Islamic men,some women and children. The only ray of hope for him is Amira a young married woman who waits in frustration for her absentee husband - a Mujahideen. Temur watches sorrowfully as the individual village stories unfold at the same as he tries to help the community out in any way he can. In this way he comes closer to Amira and Taib, her young brother-in-law. In a dead end situation the lovers decide to leave the settlement and travel to a place that would hold out with their dreams. Written by Mira Tanna-Händel

İlyas, a truck driver from Istanbul, arrives in a remote village to work on a dam construction project and meets a young village woman named Asya. They fall madly in love and get married. However, their life together is fraught with conflict. When İlyas cheats on Asya, the final straw in their relationship, she takes her son and begins wandering without knowing where she is going, until a familiar hand reaches out to help her selflessly.

Ilyas loves driving through difficult mountain routes. It is here, in the mountains, that he meets Asel, falling in love at first sight. Since she is betrothed to another, the two decide to elope.

It has been a lifelong dream of Kyrgyz director Melis Ubukeyev to create an elaborate film version of the Kyrgyz national epic 'Manas'. He spent years working with the National Academy of Sciences of Kyrgyzstan to gather material for this film project, which would ultimately remain a dream. However, the director's efforts were not in vain: Not only did he make films in 1962 and 1988 about Manasçı – the revered oral storytellers who have preserved the epic for generations through melodic recitation –, but in 1995, to mark the 1,000th anniversary of 'Manas', he also created a beguiling essay film that not only recounts the epic’s sweeping narrative through a mix of breathtaking imagery and opulent costumes, but also weaves it into a semi-documentary exploration of Kyrgyz history and identity. Once almost impossible to find, the film has recently been restored by the film studio Kyrgyzfilm and uploaded to YouTube in 4K.

Sultanmurat is a 14 year old boy who lives in a small Kyrgyz village. All the men have gone off to war so he is left alone to tend to the horses who are weak with hunger.

Tanabay is a proud Kazakh war hero and loyal Communist who is pressured into taking a position as a herdsman in a collective farm in the Stalinist era after WWII. The pride and joy of the collective is a beautiful stallion named Gulsary. After Gulsary wins a race, the new commissar of the collective lays claim to the beloved and headstrong horse, which leads to a battle of a wills. Tanabay and Gulsary are both punished and separated for their refusal to bend to the rules of the Stalinist era.

A chronicle of a few days in a small family, a story about the difficulties of human contacts, the complexity of love. The image of red apples - strong and clear, profound and lucid. Okeyev's "apple" bears a special meaning. Juices of the earth and sun, it is a lyrical symbol of happiness and harmony.

On a frozen and forbidding shoreline of northern Sakhalin Island, to the north of Japan, live the Nyvkh people, whose austere, heroic struggle for survival depends solely on their ability to hunt the seal and to fish. This blunt glimpse into their quarters, animistic rituals, and daily (and nightly) lives has all the appearance of a well-shot documentary but is in fact a scripted film with convincing special effects, based on a novella of the same title by the gifted and controversial Soviet Kirghiz writer, Chingiz Aitmatov. "Dog running at the edge of the sea" is what the Nyvkhs call the forbidding place they have domesticated as their home, husbanding and speaking of it by means of myths and "poetry of the concrete" with which they commemorate their savage lives.

Young Daniyar drives his car along the mountain roads of the Tien Shan. One day, returning from a trip, he meets Asel. This encounter marks the beginning of a great love story for them. Daniyar breaks off his relationship with his former girlfriend, the beautiful Raihan, and marries Asel. But one day, his long-forgotten relationship with Raihan is rekindled. Asel, upon learning of her husband's infidelity, leaves him. Meanwhile, wanting to increase the number of trips and reduce travel time, Daniyar decides to drive through the pass with a trailer, but gets into an accident on the pass, the consequences of which are exacerbated by his co-worker Sadyk...

Bakai is an old shepherd who lives in the country while his children have long grown accustomed to life in the city. When his youngest son pays him a visit, Bakai wants him to stay and help with the rigors of rural living.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

To avoid severe punishment for desertion, a man hides in the mountains near his native village.

In post-Civil War 1923, a young Red Army veteran is sent to the mountainous Kirghiz region of Kyrgyzstan to establish the first school. The former soldier becomes a teacher, bringing Leninist doctrine to the remote Moslem area where elders forbade children to attend school. He falls in love with one of his students, but the young woman is sold by her father to a wealthy chieftain.

Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap.