Netalie Braun

Anat, a single mother and a devoted literature primary school teacher, is impatiently waiting for her son’s discharge from the army. But exactly on the due date of his release, a soldier is kidnapped and a new war breaks out. The condition of her shell-shocked father, Ya'akov, starts to deteriorate as Ido calls to say that all discharges have been put on hold. The angst-ridden Anat tries to get him back home, appealing to the kindness of the commanding officers. Ido returns, but her spirit is broken when she discovers that discharges were not suspended - it was he who volunteered to fight. Their symbiotic relationship goes downhill, Ido returns to the border post and the battle flares up. Before his unit enters Lebanon, Anat, who feels trapped between her father and her son, decides to take matters into her own hands.

The life of Shalom, The Nazi major officer Adolf Eichmann's hangman, turned ritual slaughterer, encapsulates the story of Israel from the perspective of the 'other'- the marginalized Sephardi prison warden who is forced to do the dirty work of hanging the arch enemy and thus to carry a national burden that dramatically shaped his life. His job in the abattoir, together with his memories of his past, create a fascinating and complex portrait. His voice, yet unheard, from the edge of Israel's historical events, reveals new insights through his unique perspective. Shalom's clear, alternative voice from the margins of society carries a deeply humanistic universal message.

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A war recreated for the filming of a movie leads to the fleeing of an entire village in the Golan Heights; weapons are planted in the home of a Palestinian family in East Jerusalem to stage an action scene; and a props and weapons man is revealed to be suffering from PTSD while dealing with moral trauma. The trilogy examines the ethical aspects of reenactment and how militarism's grip on Israeli society (also) corrupts cinema.

The film combines the testimony of four women who went through rape or incest and the myths of rape from Metamorphoses, and attempts to locate the forgotten, flickering voice. To tell the story from the inside, to allow a place for a narrative which is difficult to hear, that deviates from the aesthetic and illuminates the sordid outlines of our culture.