Jean de Certeau

Salome gets a summer job in a junkyard somewhere in the country side. Under a western sun, in this place out of the world, her teenage rebellion springs up. From unexpected encounters to shared sorrows, arise promises of a new life.

Mariana, an upper-class Chilean, feels a strange attraction towards her riding teacher, Juan, a former colonel with a shady past.

In this deeply moving dialogue between mother and son, Mexican Tzotzil director Xun Sero confronts his past with honesty, understanding and forgiveness. Growing up without a father, he blamed his mother for the paternal absence in his life; this, for him, became his first act of violence against the feminine and his own mother. Societal pressure and shame prevented his mother from speaking about the realities of violence in her childhood and within her partnership with the director's father. Guided by the desire to understand who his mother is, Sero has created an extraordinarily sensitive first film where both mother and son open a dialogue in an attempt at self-discovery. Bravely, together, they open the door to a room of darkness and unknowns and begin to walk down a path of healing.

Manena is the headstrong adolescent daughter of Pancho, a rich Chilean landowner who devotes his vacation to one thing : the invasion of his artificial lagoon by carps. While he employs increasingly radical methods, Manena has her first romantic experiences and hearbreak - and discovers a silent world in the shadow of her own : that of the Mapuche Indians who demand access to the land and clash with her father.

Chiapas, southeastern Mexico. When the inhabitants of several villages and towns expel the mayor and the police from their territory, they face the challenge of self-government.

Ema and Borja live on the shores of remote Lake Pirihueico in southern Chile, a place as fascinating as it is dangerous. Since their son drowned, they have been living separate lives: while Ema seeks comfort in Daniel, Borja takes refuge in alcohol, violence, and firearms.

No description available.

A film about a man who once took part in Pinochet's massacres.

According to the official Cuban version, Fidel Castro died on his bed on November 25, 2016. Sixty years after his arrival on the island, with his troop of guerrillas who came to fight the Batista dictatorship, the director went to meet Cubans who talk about the Lider Maximo, who escaped - according to rumor - more than 630 assassination attempts! For his funeral, Fidel Castro had orchestrated a spectacular procession before his death so that his ashes crossed the island on the same route - in reverse - that he carried out when he was young.

Refined, often millionaires, drug trafficker lawyers evolve within a territory where law, organized crime and corruption meet. They are smugglers, the visible actors of the collusion between criminal organizations and the legal, political and financial structures of countries crushed by narco-violence. This investigation penetrates into the depths of drug trafficking through a little-known angle, that of justice, and aims to deconstruct the preconceived idea of the drug trafficker as the sole responsible for violence. "If you kill, call me" debunks the myth of drug trafficking by penetrating, through drug trafficker lawyers, into the heart of the legal system to reveal its deep complicity with organized crime.