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Tōru Kawashima

Directing

Known For

Hawaiian Dream
10.0

Tatsuhiko and Shofumi are hoodlums living in downtown Hawaii, having flown out of Japan and entered the country illegally for a reason. The two make a living by trafficking pakalolo – marijuana – under the pretext of selling tea leaves, but they are in a foreign land where they don't speak the language well. When they get busted by the chief of police, they're forced to make a deal and and help get a local crime boss masquerading as a benevolent celebrity arrested.

Hawaiian Dream

1987
Chi-n-pi-ra
7.9

Shibuya, Tokyo. Yoichi and Michio are a pair of hoodlums who make their living as bookies at horse races. One day, Yoichi's companion commits a crime, which leads him to become a real yakuza. In this way Yoichi wishes to put an end to his hoodlum days, but on the other hand he has to leave his brother Michio behind...

Chi-n-pi-ra

1984
Ryuji
7.1

Ryuji tries quitting the yakuza to actively support his wife and daughter; as he's used to easy money, it's a difficult transition.

Ryuji

1983
Like a Savage
6.7

Young writer Tamako, who is wrongfully accused of killing the head yakuza, must find a way out of trouble.

Like a Savage

1985
Edogawa Rampo Theater: The Man Who Travels With Prints
9.0

At the beginning of the Showa era, a man who was captivated by a girl he saw through a telescope locked her in a "painting". Visualization based on Rampo's "Oshie and Traveling Man". Released in 1994 to commemorate the 100th anniversary of Rampo's birth.

Edogawa Rampo Theater: The Man Who Travels With Prints

1994
Checkers in Tan Tan tanuki
6.0

Seven raccoons with supernatural powers sneak into a freight train, disguise themselves as humans, and head to Tokyo with the intention to create a band. They become superstars "Checkers" but their true identity will be revealed very soon.

Checkers in Tan Tan tanuki

1984
God's Pinch Hitter
N/A

Ryo, Eiji and Katsuya assemble as usual in an underground car park, only this time, the woman who has always accompanied them is missing. Driving into central Yokohama in Ryo’s Mercedes, the trio set their plan in motion. After altering a motorcycle’s licence plate, Ryo breaks away, heading off alone. What lies ahead remains uncertain. But as their scheme unfolds, it becomes clear that this is no ordinary operation, rather, a carefully orchestrated “perfect crime”, driven by the intertwined loyalties and affections of three men.

God's Pinch Hitter

1991