Directing
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Marcos Tiarajú was the first baby born at Fazenda Annoni in 1985, in an occupation of the MST. At age 22, he became a medical fellow in Cuba. The short follows this story of overcoming.
Documentary about the oppression of a group of a families of the MST, the Brazilian Landless Workers Movement, who invaded Anoni Farm, a farm in the state of Rio Grande do Sul, Brazil, in 1985, and Rose, a woman fighting for the right of owning a land and for elementary human rights, and mother of the first baby born in the camping site.
At Catumbi neighborhood in Rio de Janeiro, the urban planning and constant transformation affect the daily life of the inhabitants.
The documentary takes a voyage of discovery about festivals, rituals, cooking, music and dance, revealing the struggle to keep alive the culture of its African ancestors and Candomblé.
Documentary about the 68-generation, told through the story of the newspaper “O Sol”, one of the first vehicles of the alternative Brazilian press, produced daily for six months, in the 1960s. The newspaper spoke of culture, politics and education through satires and prominent figures in the cultural scene of the time passed through him. Archive scenes and music from the period seek to reconstitute the spirit of the 68-generation. The film has the participation of personalities such as Ziraldo, Zuenir Ventura, Arnaldo Jabor, Chico Buarque, Caetano Veloso, Carlos Heitor Cony, Fernando Gabeira, Betty Faria, Hugo Carvana, among others.
Documentary depicting what happened to the characters in the film Terra para Rose, made by the same director. Shows the life of some 1500 families of landless rural laborers who, for the first time in 1985, occupied an unproductive large landholding, the Annoni plantation in Rio Grande do Sul. After camping out for years in tents, facing down the police and negotiating with the government, the former landless laborers have managed to turn their dream into reality, and are now successful small farmers.
Sixty years ago the pianist and arranger Brazilian Joao Donato meets with friends musicians to play and turn those moments into historical performances. The habit began in the late 1940s, when the acriano Donato newly arrived to Rio. Born into a musical family, his father was a major, airplane pilot and mandolin, his mother liked to sing and brother planned to be a concert pianist, he decided to learn piano instrument closer to that which dominated the accordion. Hence to attend meetings at the home of Dick Farney in the early bossa nova was a leap.
