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Catherine Binet

Catherine Binet

Directing

Known For

The Games of Countess Dolingen
3.3

This complex and puzzling French drama walks the fine wavering line between the fictional and the very real as it tells the tale of a strangely erotic event in the life of a little girl and the musings of a schizophrenic woman. Also involved is an enigmatic spouse who prepares a surprise for a burglar.

The Games of Countess Dolingen

1981
May Days
7.3

Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.

May Days

1978
Les vamps fantastiques
10.0

Ever since the goddesses, gorgons and other sirens of ancient mythology, the strangest creatures, sometimes charming, sometimes terrifying, have continued to haunt our imagination. This documentary shows the disturbing fascination they exert on both filmmakers and the public and rehabilitates an underappreciated continent: the great female icons of horror and wonder in cinema.

Les vamps fantastiques

2003
Spring
6.4

One of four Hanoun films that take their titles from the seasons of the year, SPRING tells two parallel stories: a man, fleeing the forces of order, takes refuge in the forest, while a young girl living with her grandmother in a nearby village approaches the threshold of adolescence, and begins to discover both the world and herself. - Anthology Film Archive

Spring

1971
Film sur Hans Bellmer
6.0

Documentary short about Hans Bellmer.

Film sur Hans Bellmer

1974
Film sur Georges Perec
7.0

A two-part documentary made for French TV about Georges Perec, directed by his former partner Catherine Binet. It features a mixture of archival footage, scenes from Perec’s films and to-camera readings of excerpts from his work by various actors and friends of the author (Michael Lonsdale, Marina Vlady, Alain Cuny, Sami Frey, Edith Scob, Harry Mathews and others).

Film sur Georges Perec

1990
Trompe-l'oeil
N/A

On photographs taken by Cuchi White of trompe l'oeil painted on the walls of Paris and elsewhere, the comments of Georges Perec and Michel Butor are a reflection on the technique of artificial decor and the art of architectural illusion.

Trompe-l'oeil

1982