Acting
Jim Fernandez's Galema: Anak ni Zuma is an upcoming Philippine television drama based on the comic book Zuma created by Jim Fernandez. The series will be premiered by ABS-CBN on September 30, 2013 replacing Dugong Buhay, and worldwide on The Filipino Channel on October 1, 2013. It is topbilled by Andi Eigenmann.
Brought together by fate, two childhood friends form an inseparable bond until unfortunate circumstances tear them apart. As they cross paths again after many years, their sisterhood faces the ultimate test when they fall in love with the same man.
I ♥ You, Pare! is a Philippine romantic comedy directed by Andoy Ranay and Joyce E. Bernal for GMA Network. It premiered on February 7, 2011, starring Regine Velasquez and Dingdong Dantes. The love story contains pseudo-homosexuality elements, where a heterosexual man does not initially know of the woman pretending to be a homosexual man's true gender. The show premiered on February 9, 2011, two days after its original premiere, on GMA Pinoy TV. Some of the musical sequences, particularly songs sung in "Club Love" in the story are being dubbed out on GMA Pinoy TV. It ended in May 27, 2011, and was replaced by Amaya.
Sinner or Saint is a Philippine correctional-theme drama series produced by GMA Network starring Dennis Trillo, Bianca King, Alessandra de Rossi and Polo Ravales. The series premiered on June 13, 2011 replacing Nita Negrita's time slot in the Philippines and on June 16, 2011 on GMA Pinoy TV, three-days after its original premiere. This is also the second suspense-drama afternoon television series after the success of the recently ended television series My Lover, My Wife.
Hindi Ka Na Mag-iisa or Never Be Alone is a Filipino drama series created and written by Dode Cruz, under the direction of Gil Tejada, aired on GMA Network. This series headlines Jennylyn Mercado and Sid Lucero, Frank Magalona, Krystal Reyes and Angelu de Leon. The series premiered on July 9, 2012 replacing Hiram na Puso on GMA Afternoon Prime block and July 11, 2012 worldwide via GMA Pinoy TV. Hindi Ka Na Mag-iisa will end on October 26, 2012 and to be replaced by Yesterday's Bride. It ran for 16 weeks with a total of 80 episodes overall.
Bernardo hires his half-sister Bernadette as an assistant and she has no idea who he really is. Bernardo plans to make her life hell until a rival tries to lure Bernadette away and he has to fight to keep her.
The love story of a brokenhearted male nurse and a struggling college student amidst the COVID-19 pandemic in the Philippines is roughly tested when they swapped situations, plans, and principles as they face their haunting past.
In the arid, scanty and poverty-stricken world, fetching water is the only way an old woman named Josa can do just to muster the fare that will bring her second family to Manila from an island in Batangas which is devastated by the eruption of the Taal Volcano.
Quadruplets are split into pairs and raised apart by their parents. They meet as adults by accident and have a tough choice to make when one needs a liver transplant.
A hilarious look at the altered lifestyles of people in quarantine in need of doleouts.
Divided into three "short films", each one pokes fun to a particular genre. Episode 1: Bala Sa Bala, Kamao Sa Kamao, Satsat Sa Satsat. Episode 2: Shake, Shaker, Shakest. Episode 3: Asawa ni Marie.
Since birth, Brando despised his gay twin brother, Brandy, who has been his burden (including the fact that he was mistaken). However, when Brandy was caught in an accident and put into a coma, Brando is forced to impersonate his twin to keep a major business from falling through. Though they had a misunderstanding, Brando gains a new appreciation as he lives his brother's life.
Five gay men from different walks of life are confronted with important choices that could change everything for them.
A family of aswang attempt to transition into a living a more normal, less monstrous life.
Continuing the tradition of national artist Ishmael Bernal's benchmark film Working Girls after 25 years, Working Girls of 2010 depicts the role of women in the new millennium. Seven women of different backgrounds, stories and personalities entwined in a colorful story of family, love and life.
Gruff retiree Rene rejects most human contact, but begins to soften once he comes to terms with his homosexuality.
Sarah is a nurse at a Public Maternity Hospital. The hospital is abuzz with pregnant mothers of all shapes and sizes in different stages of labor. The hospital is short on staff on Christmas Day so Sarah is forced to put in a double shift. Sarah observes the women coming and going in her ward, noting who is a first-timer and who is a veteran. Meanwhile, the wards are overcrowded : two women and their babies sharing single beds while those in labor are spilling unto the hallways. Sarah takes these all in stride, her heart and mind laboring over her own personal pains.
The film tells the love story of Junjee, and Sheena. Junjee just cannot seem to catch a romantic break. Their personalities stand opposite to the characteristics traditionally associated with masculinity and femininity in Asian societies in general.
Three brothers, Pidiong, Manoy and Tinggoy, who live in a small town in the province, were lucky enough to receive a scholarship program from ASO (Agricultural School of the Orient). Hopeful that this could be the start of their family's better future, Pidiong, Manoy, and Tinggoy went to the city only to find out that the school they'll be going to is not at all what they had expected.
This riveting feature film about redemption follows Frank Parish, a retired US fireman and philanthropist who finds himself wrongly accused of murder and jailed in the Philippines. Stuck in prison, Frank was beginning to lose faith in everything he believed in until he becomes friends with Mando, a convicted murderer who denies his passion for dancing just to prove his masculinity and Allona, a transsexual who tries to contribute to prison reforms by teaching his fellow inmates dance exercises. They get involved in a tricky struggle between the positive changes initiated by the new warden and the corrupt system that weighs down the inmates' chance to become better individuals. Frank finds himself caught in an intricate web of lies and must choose between concealing what he knows to keep himself out of danger or to help his fellow inmates by revealing the truth. Will he remain on the sidelines as an observer, or will he dance the dance of the steel bars?
