Peter Hajek

Detective Charlie Hudson teams up with what he calls his "highly trained law enforcement animal" German Shepherd dog named Rex who he prefers to team up with because he doesn't talk his ear off.

The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

Annual awarding of the Grimme Awards.

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Stockinger is an Austrian-made police television drama, with fourteen 45-minute episodes first aired from 1996 to 1997. The series is a spin-off from the popular Austrian television drama Inspector Rex, and focuses on Ernst Stockinger, one of the original members of the Homicide division or Mordkommission in German. Stockinger leaves the series to return to Salzburg where his wife has inherited a dental practice from her late father . He is appointed a Bezirksinspektor at the Landes Gendarmerie, sharing an office with District Inspector Antonella Simoni. Unlike the members of the team in 'Rex', who appear to be self-directed and are seldom seen to answer to senior management, Stockinger reports to Dr Brunner, a philosophising burecratic senior police inspector. Stockinger is portrayed as a clumsy, almost Inspector Clouseau-like character, driving a clapped-out 1973 VW Variant, but single-minded when following up clues.

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Together with Commissioner Max Steiner, Inspector Felix Burger, and their boss Major Evelyn Leitner, German Shepherd Rex investigates cases in the Vienna homicide division, supported by pathologist Dr. Tom Wippler. For Max, Rex is more than just a four-legged colleague. He also shares his home with the German Shepherd. The experienced investigator is single and still suffering from his separation from his ex-wife Sarah. But things are about to get lively again when Max's adult daughter Anna returns from South America. And where the daughter is, the mother is never far away.

Mozart und Meisel is an Austrian television series.

One day, Nina confesses to her boyfriend Mick, that she never has had an orgasm. Comedy about the problems of relationship and sexuality in a parody of the sex enlightenment and soft sex genre.

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Mondo-type shockumentary claiming to be an explicit manifesto of sex in Germany today.

A TV movie explaining the origins of the famed police dog, Kommissar Rex. Prequel to the long-running Austrian/German TV series.

Documentary about Peter Kubelka

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Manfred Deix is a cartoonist an painter. Above all, his aggressive caricatures of politicians and political events in the Austrian provinces have made him notoriously famous far beyond national borders. His very personal chronicles of current events and portrayals of human calamities (Deix's people are generally obese and disproportionate) are also the contents of four books which are bestsellers. This documentary film of Peter Hajek describes the career and work of the Austrian, not only at work but among his numerous cats which, apart from his wife, mean very much to him.

The film is ‘shown’ in the dark. But the cinema has shrunk somewhat – only two hands fit inside it. To see (i.e. feel, touch) the film, the viewer (user) has to stretch his hands through the entrance to the cinema. Tap and Touch Cinema is an example of how re-interpretation can activate the public. Extract fom the documentary "Wiener Underground"