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Zhang Hongmei

Zhang Hongmei

Directing

Known For

Spring in a Small Town
7.2

A married couple living in a desolate small town in post-WWII China are paid a surprise visit by an old friend of the husband's.

Spring in a Small Town

1948
Spring Reigns Everywhere
9.0

Steelworker Ding Da-gan suffered severe burns in an accident. The victim's condition was almost hopeless, but people from all over the country rallied to save Ding Da-gan's life, and death receded.

Spring Reigns Everywhere

1959
Song Jing Shi
N/A

In the mid-19th century, at the height of the Opium War, the Chinese people rose up against the feudal system and the Manchu dynasty, which had capitulated to foreign invaders. ... With their heads bowed, peasants in chains trudge along, those who refused to give money to crush their rebellious brothers. Suddenly, their path is blocked. It is Song Jing-shi who has come to their rescue with his detachment. The freed peasants joined Song Jing-shi. This is how the core of the Black Flag Army was formed. The first historical film made in socialist China in the 1950s. The script is based on authentic material collected in villages in Shandong Province. Legends about the cruelty of Sen Gelinzin and the bravery of Sun Jing-shi, who is called the "Chinese Spartacus," still live on among the people.

Song Jing Shi

1955
From Victory to Victory
5.8

In 1947, the Chinese Red Army sets a trap for the Nationalist forces in Jiangsu province.

From Victory to Victory

1952
Voyage in the Misty Night
8.0

The passenger ship Haiyan, with more than a thousand people aboard, sails through a thick fog at night. Despite having the knowledge that there are reefs nearby, the captain refuses to stop or slow down.

Voyage in the Misty Night

1958
Deep Affection
N/A

The life and work of Chinese bacteriologists. The film is based on the theme of profound psychological changes in a person's character, who, under the influence of many factors of life and situations, has to change his view of the world and science. One of the characters, Professor Huang, is shown in the process of development and formation. His character is vivid and memorable. If at the beginning of the film the young scientists seemed insufficiently serious to Huang, and he regarded all their aspirations to enter science as a sign of their lack of understanding of the complexity of science and their responsibility, by the end of the film Huang already sees in the young graduate students courage, daring, and a desire to achieve an active intrusion of science into life. The theme of friendship and mutual respect among scientists united by a common goal—serving the people—plays an important emotional role in the film.

Deep Affection

1957
Death Ray on Coral Island
6.2

Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.

Death Ray on Coral Island

1980
Lalan and Dongdong
4.0

Kind people help bring little Lan-Lan and her brother Dong-Dong to Beijing to their parents.

Lalan and Dongdong

1958