Lélia Abramo
Acting
Biography
Lélia Abramo Scarmangan (São Paulo, February 8, 1911 – São Paulo, April 9, 2004) was a Brazilian actress, theater producer and political activist. She was part of the political groups Frente Única Antifascista and Opição de Esquerda, in addition to being one of the founders of the Workers' Party (PT) and president of the Union of Artists and Technicians, being one of the big names in the fight against the Brazilian military dictatorship.
Known For
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Redenção
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O Julgamento
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Pai Herói
Serafina is a romantic young woman who dreams of experiencing great love. Claude is a wealthy businessman who is in the country illegally. The two make a deal that will transform their lives.
Uma Rosa com Amor
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Mania de Querer
To defend the humble Soró Sereno in a traffic accident, the mysterious Ciro Cerqueira, a bus driver, ends up getting involved with the traditional italian family of Mamma Vittoria Cantarelli, owner of a chain of canteens in which he starts to work as an executive, and is torn between the love of the matriarch's granddaughters, the responsible Luísa and the seductive Bruna, a woman who spares no effort to get what she wants.
Pão-Pão, Beijo-Beijo
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Dez Vidas
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As Bruxas
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A História de Ana Raio e Zé Trovão
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Os Ossos do Barão
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Um Dia o Amor
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Os Quatro Filhos
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O Terceiro Pecado
It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.
O Tempo e o Vento
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Avenida Paulista
Based on true events, the film tells the story of Brazilian outlaw Promessinha, one of the most famous and feared criminals of his time, depicting his crimes and cruelty, until his death confronting the police.
Cidade Ameaçada
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O Direito dos Filhos
Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.
They Don't Wear Black Tie
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Vidas em Conflito
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