Directing
Director and producer.
A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda FalcĂŁo), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.
Maria Joana navigates the discoveries and transformations of adolescence. She experiences her first night of freedom and independence at the local Saint John's street celebration, testing her limits and confronting her inner fears — but not without consequences.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Saura, Filipe, JoĂŁo, Beatriz, Rita, and Marchana have a language of their own, shaped by the growing pains of childhood and the uncertainties of adult life. During the summer, Saura and Filipe, once deeply connected, begin to drift apart. As they try to understand what still remains between them, their language also begins to change, and with it the group of friends they share.
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The fearless race of the 1920's Portuguese aviation pioneers to cross the South Atlantic Ocean through aerial navigation, became an epic story of the modern age argonauts. In order to reach the stars - sailing is necessary- navigandum est.
Whenever people are released from their society's constraints, there is the possibility that they will behave badly, at least according to the rules of the society they have left behind. This seems to have been particularly the case for Europeans living in colonial establishments in Africa and Asia. In this drama, based on a story by Stefan Zweig, Dr. Steiner (Andrzej Seweryn) was caught with his fingers in the till at a German hospital. Rather than prosecute him, they gave him the option of emigrating elsewhere. He chose to serve at a clinic in a remote part of Portuguese Goa. He has been on his best behavior for years, but when the beautiful wife (Fanny Ardant) of a diplomat comes to him asking for an abortion, he is tempted to ask for sexual favors in return, and his life swiftly goes out of control.
A group of soldiers are sentenced for the murders of key political figures in the night of October 19th, 1921, in the streets of Lisbon. But the names of the conspirators remain unknown. Berta Maia, a widow of the 1910 revolution hero Carlos da Maia, will fight for the truth…
The story of Brazilian Antônio José da Silva, a jewish poet, playwright and lawyer living in the 18th Century Lisbon, who managed to avoid Inquisition by converting himself to Catholicism, after being tortured. But his fierce criticism of Portugal's élite led him to persecution and torture, becoming kind of a scapegoat.
Laura Rossellini, a widow from Rome, vacations on the Algarve coast one hot summer. One day while sunbathing, she finds a wounded man named Robert drifting in the surf on a rubber raft. She takes him home, and, after he is revived, learns his story. As they talk, their mutual attraction grows, until a group of armed men suddenly arrive looking for Robert.
This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer JoĂŁo Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions.
Nheengatu – The Language of the Amazon takes us on a journey along the Negro River, on the trail of this language imposed on indigenous people by the first Portuguese colonialists who landed in Brazil in the 15th century. Throughout the various encounters with local communities that still speak this language, the director faces the different cultural, historical and social issues that confront tradition and future.
A young woman visiting Paris misses the last bus home and finds herself stranded on the outskirts of Paris. Entering a local club, she meets a troubled drug addict.
Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.
Life is as unchanging as ever in the village: the sun sets between memories. The arrival of a young outsider changes everything. The old are offered a new gift and they accept it. The dreams awaken an old song which pulses through the village. 'With Fate driving the cart of everything along the road of nothing.'