Marialejandra Martin

Por Estas Calles is a telenovela broadcast by Radio Caracas Televisión between 1992 and 1994. It was extremely popular in Venezuela, due to its very realistic approach to the day-to-day life of the country and local tone. It was the first Venezuelan program to give a realistic view of the corruption in political life, as well as the first to show the day-to-day life in the poor barrios. For example, it showed the impact on poor people's lives of the intermittent water supply, showing community meetings and lovers' trysts cut short by the news that the water was on, sending everyone running to fill storage tanks and barrels. It was considered by the Spanish edition of the magazine Rolling Stone as the 8th best show between the 100 Best TV Shows Ever in all Latin America. It is believed to be the longest telenovela ever produced in Venezuela.

Cosita Rica is a Venezuelan telenovela that was produced by and seen on Venevisión. This telenovela lasted 270 episodes and was distributed internationally by Venevisión International. Fabiola Colmenares and Colombian actor Rafael Novoa starred as the main protagonists while Chiquinquirá Delgado, Carlos Cruz, Daniel Alvarado and Nohely Arteaga starred as the main antagonists.

Soñar no Cuesta Nada is a Miami-made telenovela that was produced by and seen first on Univisión and later on Venevisión. This telenovela lasted 191 episodes and was distributed internationally by Venevisión International. On October 1, 2007, Cadenatres, a new Mexican television network, began airing the telenovela.

The life of a young virgin changes overnight, when artificial insemination is performed due to a medical error. In her womb grows the son of Mauricio de la Vega, a man who dreams of being a father at any price.

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Carmen Querida is a Venezuelan telenovela that was produced by and seen on Venezuela's Radio Caracas Televisión. This telenovela lasted 167 episodes and was distributed internationally by RCTV International.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

Inspired by true events, "God's Slave" is the story of Ahmed and David, two extremist characters, one Islamic and the other Jewish, who cross their paths while being in the opposite side of the conflict in the A.M.I.A bombings that took place in 1994 in Buenos Aires.

Eladio is a failed actor who has spent years in obscurity working maintenance at a TV station in the capital. When he’s forced to return to Maracaibo to care for his teenage niece —a fierce, guitar-playing rebel— their worlds clash. Amid loud music, insults, and generational conflict, Eladio accidentally reinvents himself as an acting teacher… and ends up entangled with one of the city’s most notorious crime syndicates. What follows is a hilarious, heartfelt, and uniquely Latin American story about rediscovery, family, and the absurdities of adulthood —at any age.

Tosca, the true story is a Venezuelan film released in 2001, based on the homonymous opera Tosca by Giacomo Puccini.

María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.

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Coco reaches her drama class at the last moment. Allowed to take her seat on stage, she embarks a trip into her past for a very special sensory meeting.

Based on the homonymous novel by Nobel Prize Laureate Miguel Angel Asturias, "El Señor Presidente" is a tragic and impossible love story lost between degradation and fear. It is the tale of a fictitious Latin American country living under a fierce dictatorship sponsored by a society in frank decadence. Evil spreads downwards from the ruler, justice is a mockery, and the military spends their time abusing their fellow citizens and enjoying corruption. - Written by Jorge Granier-Phelps

Two loners agree to mate their dogs. Eva tries to grieve over the death of her son, and Tomás looks for a baby before his old dog dies. In each visit they find reasons that unite them; and she convinces him that her son's alleged killer is now threatening her. He risks his life to defend her, but discovers that it is a lie. Her son committed suicide, and the guilt racked her. It will remain to save love, and may love save them.

Proud television reporter Amanda Herrera lives through the desperate and crazy bolero when, just before Valentine's Day, she is abandoned by Felipe, her married lover, who is finally going to be a father and wants to give his marriage to Dalila a new chance.

Gioia returns home for her grandfather's funeral, after having fled when she realized that she would never be part of the family business, until then managed by him. But now that her grandfather is dead, she makes the women of the family understand that they must unite and take the spaces that belong to them. Together they will take control of the family business, where these women now have their place conquered.