César Gutiérrez Miranda

After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.

When a young boy arrives in a small Mexican village, a profound friendship blossoms with a local kid — and a dark secret seals their bond forever.

Snapshot of the sophisticated and exclusive gay nightlife of one of the most emblematic clubs in 1980s’ Mexico City, where people living under the weight of a repressive society that marginalized them felt the need to express an exacerbated sense of freedom. Through the eyes of a young man eager to explore the world and live freely in the capital city, the series recreates a slice of life and a decade that shook the world.

After a year abroad, seventeen-year-old Alf returns to his Catholic boys' school, only to find that no longer relates to his mates, who are popular and athletic. He finds himself drawn to new classmate Oliver, but in an attempt to dispel rumours, Alf bonds with his old friends and ends up committing a crime to prove he still belongs.

Worlds collide in more ways than one in this stunning collection. Confidence is violated, classes clash and desire is concealed, yet love still triumphs regardless of the consequences. Boys On Film 14: Worlds Collide features nine new, powerful, and dramatic short films: Lee Haven Jones's "Want It" starring Jamie Cutler and Alan Turkington; Sophy Holland and Alicya Eyo's "Brace" starring Jake Graf and Harry Rundle; Mauro Mueller's "A World For Raúl" starring Alexandré Barceló and Adrián Alonso; Dennis Shinners's "Barrio Boy" starring Dennis Garcia and Dan Leonard; Darwin Serink's "Aban + Khorshid" starring Mojean Aria and Bobby Naderi; Jan-Dirk Bouw's "I ♥ Hooligans"; Christopher Bradley's "The Violation" starring Slade Pearce, Elaine Hendrix, and Shayne Topp; Rafael Aidar's "The Package" starring Jefferson Brito and Victor Monteiro; and Søren Green's "An Afternoon" starring Ulrik Windfeldt-Schmidt and Jacob Ottensten.

A couple of artists travels through the Mexico desert to present their puppet show.

Socorro is a lawyer obsessed with finding the soldier who killed her brother during the 1968 Tlatelolco massacre. When she receives a crucial clue about the soldier’s whereabouts fifty years after her brother’s death, Socorro embarks on a reckless mission for revenge.

When thirteen-year-old Raúl is asked to entertain the local landowner's son, a game of power and pride starts between the two boys.

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

Stranded on a desolate road, a man ventures into the unforgiving desert in search of help. As the scorching heat and relentless thirst take their toll, he begins to see mirages that blur the line between illusion and reality. The desert, like a living, breathing force, twists his perception, drawing him deeper into a maze of illusions that feel hauntingly real. As he fights to maintain his grip on reality, he realizes that the true danger may not be the desert itself, but the shadows it casts within his mind.

After the sudden death of their parents, two sisters, Celeste and Soledad, must find a way to put aside their differences in order to adapt to their new life.

Ismael, a 12 year old boy, dreams to become a professional baseball player but he is asthmatic. One night, while approaching the girl he loves, he witnesses a crime.

Alma has a daughter who has been missing for three years. Ever since she lost her, she has been looking for her tirelessly, putting up wanted posters or supporting brigades and groups of mothers with the same grief, as long as she doesn't have to work at the inn that she runs in Tlatelolco, in Mexico City.

Uzi is the name of a firearm, but also is the diminutive of Uziel, who used to be a hitman in his youth. Now he lives crushed by guilt. His crisis deepens when he helps in a childbirth: the force of life fascinates him, and he does not understand how he was able to destroy it in the past.

Millenary and figsty, the Yaqui tribe defends its existence. Since 2010, Sonora's government diverts illegally 75 million cubic meters of water from the Yaqui River each year. This situation has sparked struggles and resistances. In parallel, the Yaqui people have seen flooded their territory by methamphetamines. Now they search for answers to these external aggressions in the depths of their cultural identity.

Revenge, redemption and chance are the topics that underpin José Luis Valle’s new film. A man runs his errands: cleans the house, picks up the dry cleaning, pays his debts and buys groceries. Then, inexplicably commits suicide. His death smites his wife, Elvira, who is unaware of the reasons for suicide. At another point, Ulises is assaulted and stripped of the portfolio that held the only photo he kept of her deceased daughter. He sets out to find the thief and kill him. The lives of Elvira and Ulises intersect unexpectedly.

Among the black population of the Oaxacan coast, Juana and Magdalena share their life with Neri although they know that it hurts them. In addition, Juana's terminal disease will give Magdalena clarity to resume her life.

It narrates the occasional lesbian sexual outcome between a prostitute and the employee of a small hotel after both have experienced a night of alcohol and drugs with circumstantial characters.

No description available.

Arcelia is a single mother. She's feed up of being alone and feels a deep need to be loved. Starts relationships, explores knowing people online, and looks for partners of the past. Nothing works. Relationships are ephemereal, men leave. A question arises inside Arcelia: Is her little son the main obstacle to her happiness?