Directing
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Rome, Esquilino, summer. Rossella returns to Rome after years of absence and returns to her home, rented to her friend Salvatore, the set designer. The woman is gripped by an evident depression and wanders around the city that she does not recognize and that no longer recognizes her. People have changed and Rossella finds no one capable of answering the obsessive question that has plagued her for some time: "How can I disappear?"
Interviews with different women answering two questions, "In what ways do you resemble your mother? In what ways does your mother resemble you?" Each of us has a mother, has a uterine origin, any woman can, if she wants to, answer this question. The management of the deepest, ancestral, biologically native blood relationship, the splendid and automatic complicity without superstructures, the weight of maternal beauty, the inability to relate of a fragile mother, the misunderstandings, quarrels, similarities and differences of the most secret relationship of all. Disparate experiences regarding a concept current since the dawn of time and forever: this is how it is passed down through the generations, from mother to daughter.
