Věra Nerušilová

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Prague in the 1930s. A young, pretty girl gets on a crowded tram. She immediately catches the attention of a young man who not only appreciates the girl's charm, but also tries to steal her handbag discreetly. And so we meet one of the main characters of the film, a swindler, pickpocket and generally strange being Josef Kořínek alias Pépi. In addition to him, the story is populated by other characters from the Prague outskirts. Of course, the film also features the shrewd councilman Vacátko and his inseparable investigators Brůžek and Bouše. They have a sad duty - to track down the murderer of the collector Krále, who was found dead and who lost a sum of money on the way from the bank that could interest many people from his surroundings...

An image and music collage - a cinema concert - guided by a young sound engineer David, for whom the exhibition on E. F. Burian is an incentive to take more interest in this avant-garde artist. The film interweaves two strands - documentary and factual, drawing on contemporary material and archival images - and fictional with the story of David the sound engineer.

This wacky musical comedy builds on absurd ideas, parodic humour and many variously subverted references to famous...

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

Singer and actress Naďa Urbánková, against the background of vampires and ghostly realities.

Two families live in a weaver's cottage - the Menecs and the Hroms. The women are pretty from the start. Musicians come, inviting fellow weavers who play in Menec's band to the May Day festival. Wanderers wander through the region, encountering a procession on their way. The police disperse it, so the men, who have various professions, join the wanderers. They wander around the world until they reach a tavern, where they get food and a bed. An old spinning wheeler composes a song at the request of one wanderer, inviting everyone to a "wanderer's convention". And so they get together and play together...

A certain Mr. Mlácen is brought to the asylum, wanting to sell two church bells. He first offers them to merchants in an inn. He claims that he received them as an inheritance from his uncle, but he doesn't know what to do with them. But no one wants to buy them. Because of this, he first finds himself in a commissary and is eventually sent to an asylum. The professor (L. Kopřiva), who believes that Mr. Mlácen suffers from some kind of fixed idea and is mentally ill, promises him that he will buy his two bells back...

The International Festival of Magicians in Karlovy Vary: one of the performances is stylized as a memory of the eskamotero Vili Brod, who also performed in Karlovy Vary in the 1930s. Brod's story is ingeniously supplemented with excerpts from documentary and feature films with Karlovy Vary themes...

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A tragicomedy full of slapstick and vignettes, and even an unexpected shootout. A family of villagers moves up in the world - to the county seat. Dad works as a butcher at a meatpacking plant, mom is a checker at a supermarket. The daughter is at odds with her homeroom teacher, while the son - a vegetarian, anarchist, and avid pothead - is apprenticing as a butcher to please his father. The kid's in hot water with both his forewoman and the police. But dad isn't much of an example, letting himself be tempted by the charms of a lovely young butcher. However much mom tries - visiting the beauty parlor, her psychologist, or even the confessional - her husband shows his interest by moving out. Mom plots revenge. And somehow an imp gets mixed up in it all

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A crazy comedy, turning into a grotesque with a number of absurd elements, tells the tangled story of the over-the-top siblings Zuzana and Petr, recessionists who like to prepare harsh surprises for those around them, especially Zuzana's timid suitor Karlík. In addition to the hilarious Mr. Horák and the mannequin, the amateur ensemble Dalimil also plays an important role, tirelessly rehearsing an "avant-garde" performance of Jirásek's Lucerna...

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No description available.

This comedy starring Miroslav Donutil tells the story of an American of Czech origin who returns to his homeland in the 1990s. At his parents' request, he is supposed to take over the family hotel in Prague and find a Czech bride. However, he has no idea what he will have to endure in the atmosphere of the 1990s, what condition he will find the property in, or what tragicomic situations he will have to go through before someone deprives him of his property. But in the end, he finds a girl who, unbeknownst to her, comes from the same background as him.

Songs about eternal love, American vagabonds, cowboys and desperadoes, with the romance of railways and trains speeding into the distance are recorded as film songs, and so, for example, in the well-known standard Franck and Johnny you will see M. Kopecký, J. Jirásková, J. Lír and others singing. In Chajda drnový, W. Matuška and K. Štědrý, K. Gott rides a horse or sails on a boat and R. Cortéz cries (off-screen) over the death of the famous robber Jesse James...