Ólafur Rögnvaldsson

The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.

When Mikhail Gorbachev rose to power in 1985, his reform policy sparked an independence movement in Estonia, Latvia and Lithuania. But as cries for help from the Baltic States were met with silence from the international community at large, two small nations – Iceland and Denmark – answered the call, motivated by the personal connections of their foreign ministers, Jón Baldvin Hannibalsson and Uffe Elleman Jensen.

The actress is to produce a play with the local amateur group and old romantic flames are rekindled. At the same time an American army unit is making experiments with a new and powerful energy source in the vicinity, promising the community a prosperous future.

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Every morning Krilli prepares the myriad ingredients required to make the lobster soup at the Bryggjan café, a tiny eatery in Iceland’s dullest town. His wife helps him in the kitchen and yearns to return to Rejkyavik. In the café, Krilli’s brother Alli sits with the old fishermen, the last boxer in Iceland and the translator of Don Quixote into Icelandic. Every day they find a new answer to the world’s problems. Once a month the neighbours meet at the Bryggjan café to remember those who died in Grindavik and pronounce their names. Four crazy musicians play jazz. A few lost tourists turn up at the fishing harbour and are captivated by the atmosphere in the café. Real people, they think. A real place. On the other side of the mountain is the Blue Lagoon, the island’s great attraction. People from all over the world come in fascination to see the volcanoes, the ice and the genesis of the Earth.

A modern businessman surrounded by all the trappings of success, picks up a beautiful woman who is hitchhiking along a lonely stretch of road in the south. Quiet, mysterious, the woman is an artist on the way to Meðalland to sketch. Always ready to take advantage of an opportunity, the young man adjusts his itinerary to help the beautiful artist, and with luck, he thinks, help himself add another notch to his sexual belt. But all is not what it seems in this world. The question arises as to whether all the expensive aids of modern affluent society can help him avoid what appear to be forces that transcend time - or is it all imagination, or hallucination, or both?

Running with the Herd is a unique and beautiful film. Director Thorfinnur Gudnason and his team bring to life a dramatic tale with sharply defined characters – all of them horses. Stretching the limits of the nature documentary has been Gudnason´s forte and his earlier film, Woodmouse: Life of the Run, has been shown around the world. Here he takes us into the world of horses running wild in the stark but majestic highlands of Iceland. Without humanising the animals in any way, the film tells a story full of drama and emotion, character, danger, and resolve.