Carlo Greco

The film is set in 90 AD and concerns Jesus Christ's last surviving disciple, John of Patmos, and his writings and visions from the Apocalypse of John. Emperor Domitian has declared himself to be God and ruler, over heaven and earth. The Christians do not recognize his divinity and face persecution, from the God Emperor. John has been imprisoned on, the island of Patmos, a Roman mining, penal colony, with many others. He writes out messages of his visions and sends the "Revelation of God", to the seven churches of Greek Asia Minor. The Christian church, in Ephesus, sends Irene to make sure John is alive and to confer with him in person. The movie depicts scenes from the Book of Revelation and links them to events happening to the church in Asia.

About comunist politician and labor union leader Giuseppe Di Vittorio.

A portrait of the flaws and peculiarities of four type of girls living in different districts of Rome.

In August 1954, Alcide De Gasperi, now at the end of his personal and political career, left the Christian Democrats' headquarters in Rome and visited his daughter, Lucia, a nun. He revealed to her that he had definitively retired from active politics and was leaving for Sella for a period of rest, necessary for his precarious health. Upon arriving in Sella, where he was reunited with his family, the statesman and his grandson Giorgio went for a walk in the mountains, and there, prompted by the boy's questions, he began to recount his life story, an often painful journey down memory lane.

A businessman recruits some thieves to steal a valuable chemical formula kept in an well guarded industrial site. The raid is successful, but once he has the formula, the man tries to get rid of those who worked for him.

Carmelo and Maria have a baby girl. He wants a boy but another pregnancy would risk Maria's health. Eventually, Carmelo leaves Maria and she attempts to win him back.

No description available.

The director of the Geneva Philharmonic Orchestra, Hans Peter Miller, returns home after a concert and is accosted by an intrusive spectator, Léon Dinkel, who introduces himself as a great admirer who has come from Belgium. The longer the conversation between the two continues, the stranger the visitor's behavior becomes.