Emile Degelin
Directing
Biography
Emile Degelin (16 July 1926 – 20 May 2017) was a Belgian film director and novelist, the director of If the Wind Frightens You His 1963 film Life and Death in Flanders was entered into the 13th Berlin International Film Festival. His 1969 film Palaver was entered into the 6th Moscow International Film Festival. His final film, De ooggetuige, won the audience prize at the Ghent Film Festival in 1995. He is seen as one of the pioneers and founders of the Belgian film. Degelin died on 20 May 2017 at his home in Kessel-Lo, a borough of Leuven, Belgium.
Known For

Claude and Pierre are brother and sister yet it is apparent early on that they are physically attracted to each other. In order to suborn their feelings they enter into relationships with others but nothing they do seems to work - they are always drawn back to their same fatal attraction.
If the Wind Frightens You
The audience witnesses Jeroom's (played by Jacques Dufhilo) holiday adventures on the Spanish Costa Brava which are reminiscent of burlesque, silent movies and the slapstick world of Jacques Tati.
And Tomorrow?

A 40-year-old architect begins to doubt his role as a father in a world sliding into decadence. When he meets a young Polish girl he runs off with her to Rhodes. His psycho-moralistic angst is presented in a series of flashbacks when the hijack of his airplane forces him to take stock of his life.
Exit 7
"Palaver" tells us the day of three Congolese students (Albert, Victor and Marcel) who visit Bruges for a tour of the city, and end up on the beaches of Ostend. During their trip, they cross a beautiful blond on the arm of an equally superb African.
Palaver

A 23 year old boy learns how to see again after he has been blind for nearly 20 years. He does however continue to see images of his mother flashing by.
The Eyewitness
Documentary on Belgian director of greek descent Jean Daskalidès.
Jean Daskalidès
A drama consisting of two parts: In 't Water and De Boer Die Sterft. The first part tells the story of Jan Boele, who is forced to marry Tale Siepers, a girl who is pregnant with his child. However, Jan is in love with Poezeke, the daughter of a wealthy farmer, and dreads his marriage. On their wedding day, he refuses to get up when the bride arrives, leading to a tragic ending. The second part follows Nand, a Flemish farmer who, on his deathbed, looks back on his life, which consisted mainly of working and eating according to the rhythm of the seasons. He remembers his childhood, his wife Wanne, and his mother, and realizes that his life was not as empty as he thought.
Life and Death in Flanders
A look at Belgium's capital Brussels.
Bruges
Degelin takes a step further here and delivers a musical tale that could qualify as 'filmed music' or 'a musical picture'. Taking its inspiration from James Joyce's Ulysses the film creates a dream- and desert-like seaside world of shipwreck and long-haired mermaids. These seven minutes of pure experimentation were awarded the silver bear at Berlin Festival in 1961.
Sirènes
No description available.
Béatrice
Documentary about the life and work of Flemish poet Karel Jonckheere looked at from four perspectives/professions: farmer, fisherman, sheepherder and hunter.
Karel Jonckheere
Documentary short about the construction and transportation of the largest moving dock in the world.
Dock
A bit of a strange story that takes place in Brussels which finally turns out to be a propaganda film for the Red Cross to encourge people to donate blood.
Faits-divers
A lonely street musician meets a young soldier who has just deserted.
Hee (Dag meneer)

Short film set in Brussels.
Sonate in Brussel
Several countries claim the invention of the cinematograph. Belgium does not have this claim. Some Belgians, however, played a fairly important role in what is called the prehistory of cinema. This 18-minute film does not claim to be a complete and technical story of the invention of cinema. He tries to situate the work accomplished by some Belgians such as Désiré van Monckhoven, Baeckelandt, Gevaert, Robertson (pseudonym of Étienne-Gaspard Robert), Joseph Plateau, in the major stages of an evolution that is briefly sketched from its origins to the present day, from the first object in motion to silent film, sound film, film in black and white, color, screen Electronic music accompanies the different stages of Belgian cinema.