Aurel Miheleș

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.

The humorous adventures of an all-male team of cyclists training for an upcoming important bike race.

In this fantasy with dragons and flying machines, 10-year-old Marta is determined to find her brother who was kidnapped at Christmastime by a fake Saint Nick because the little boy is blessed with the ability to locate gold. A kindly, wise philosopher-type by the name of Orlando joins Marta in her search, and together they survive a gigantic sleeping dragon and imprisonment in a tower with no clear means of escape. They overcome that hurdle, but later on, Orlando succumbs to the evils of The Plague (an all-consuming woman!) and Marta continues on her search alone. Eventually, she does find her brother -- but that only introduces problems she had never considered.

In 1462 the Ottoman Turks displeased with Wallachian Prince Vlad the Impaler plot to overthrow and replace him with puppet ruler Prince Radu the Handsome.

Nae Girimea, a barber from a late 19th-century Bucharest neighborhood, finds a new mistress, Didina. This event sparks the insane jealousy of his 'soulmate' mistress, Mita Baston, as well as that of the violent Pampon, Didina's official lover. Caught in this whirlwind of pursuit and punishment of the daring barber, all taking place during a carnival, is also Crăcănel, Mita’s official benefactor.

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