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Loleh Bellon

Loleh Bellon

Acting

Biography

Marie Laure Viole Bellon, generally known as Loleh Bellon, (1925–1999) was a French stage and film actress as well as a playwright. In 1949, for her role in Robert Desnos' La Place de l'Étoile, she was awarded the Prix des Jeunes comédiens. She is remembered for her performances in Giraudoux' Judith and in Claudel's L'Annonce faite à Marie. Bellon was also a successful playwright, especially with Dames du jeudi (1976), Une absence (1988) and La Chambre d'amis (1995). For her play L'Éloignement (1987), she was awarded the Molière prize. Born on 14 May 1925 in Bayonne, Marie Laure Viole Bellon was the daughter of Jacques Bellon, a magistrate, and Denise Simone Hulmann, a well-known photographer. In 1947, she married the Spanish writer Jorge Semprún Maura (1923–2011), with whom she gave birth to Jaime Semprún (1947–2010), also a writer. Following a divorce in 1960, she married the poet Claude Roy (1915–1997) in 1962. Loleh Bellon was the younger sister of the film director and screenwriter Yannick Bellon. Bellon studied for the theatre under the Russian-born actress and drama teacher Tania Balachova, the actor and theatre manager Charles Dullin, and the actor Julien Bertheau. After making her stage début in 1945 in J. B. Priestley's Dangerous Corner, in 1947, she played in L'An Mil by Jules Romains. In 1949, for her performance in La Place de l'Étoile, she was awarded the Prix des Jeunes comédiens. She embarked on her cinema career in the late 1940s, working with Jean-Louis Barrault and Jean Vilar. Her first major success was the role of Marie in Le Point du jour (1949) directed by Louis Daquin. She appeared in two more of Daquin's films, The Perfume of the Lady in Black (1949) and Maître après Dieu (1950). Thanks to her sister Yannick Bellon, in the 1970s she starred in Quelque part quelqu’un (1972) and Jamais plus toujours (1976).[3] As a playwright, in 1976 her Les Dames du Jeudi was awarded the Ibsen prize. Other successes included L'èloignement (1987), Une absence (1988) and La Chambre d'amis (1995). Loleh Bellon died on 22 May 1999 in Le Kremlin-Bicêtre in the Paris suburbs. Source: Article "Loleh Bellon" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Known For

Midi Première
9.0

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

Midi Première

1975Series
The Mark of the Day
7.0

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

The Mark of the Day

1949Movie