Michel Chion

"When I began to write and shoot my film Eponine in 1975, I wanted to consciously ‘test’ this and other concepts of analysis with a film; the character of a mother without a face; the suggestion through sound of an outside world that one never sees (since the film takes place within the walls of a house from which one does not go out); the creation of an imaginary topography. The success of this film showed me that the concepts ‘worked’. Thus, for me, theory is not a dead demonstration. A living theory must be drawn from a personal experience." - Michel Chion

The images of this short film are linked to the concrete music by Michel Chion, and let the monologue of Saint Antoine (Pierre Schaeffer's voice) unfold and offer itself completely. The imagery, presented in parallel pictures, is intended to be earthy and close to nature, rediscovering, when necessary, the material which is offered in a metaphor surrounded by mists. At the sound of the gunshot, concrete in the music, occurs this break in the discourse, and the image, like this gunshot, finds the Asian connotation of death. And the dream raises the human form, then a face which offers itself before disappearing in the tumults of an imaginary sea. The earth seen from the sky then the sky itself take us very far (Robert Cahen)

It was only a card game in the beginning, but then it turned out to be a crime thriller. Frank is a man who works in a printing shop, and whose life was paid a visit by an uninvited man. Then he tries to take his wife and 8-year-old daughter to the island of Corsica, but the uninvited man shows up there as well...

"It's in the idea of movement where, for me, something essential comes together/ combines-- Seven short poems write to each other in images, fleeting visions of China glimpsed through sights, through sounds, always moving." -Robert Cahen.

Film composer and critic Michel Chion analyzes the sound design in Jacques Tati's films.

This documentary explores every facet of this job of complex and exciting sound which David Lynch leads since Eraserhead, his first film and matrix work. Picture lesson of this trip, they cross three points of view: that of the very film-maker, that of his closest collaborator in this domain, the compositor Angelo Badalamenti, and that of an acknowledged critic and specialist of sound in the cinema in general and David Lynch particularly, Michel Chion.

A pivotal work for video art of the 1980s. Fragments of time during a journey where the changing landscapes become full players in a story shown in shadowy backplay, which relates the imagined encounter of two passengers.

Short film directed by Michel Chion.