Silvia Scola

An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life.

Vincenzo dedicates his life to the bookshop he owns in Paris and to his daughter Albertine, forced to stay home because of an accident occurred to her a few years earlier. One day Yolande, an exuberant, eccentric, funny and beautiful girl, bursts into Vincenzo’s shop. Charmed by her vital energy, the man starts feeling again emotions he’s been chocking-off for too long, and which will make him question his melancholic and somehow suspended way of facing life.

A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

The documentary aims to tell the story of a director who managed to capture the attention of the whole world and, due to his political and aesthetic coherence, was able to work much less than he deserved. It's the story of a film professor who earned the gratitude and affection of all his students. The tale of a cinephile who successfully combined social and civic commitment with a spectacular talent worthy of Hollywood.

Two linen fabric dealers with their shops close to one another, battle against each other for more and more costumers. Umberto constantly loses clients because of the tough competition brought by Leone, who offers the best prices in the neighborhood. But they leave differences aside when the rise of Fascism places Anti-Semitic politics which rigidly control business like the one conducted by the Jewish Leone, and those new regulations are viewed by Umberto as completely unfair. The long rivalry soon becomes a great friendship.

Two neighbors, young Vincenzo and old Mr. Bartoloni, are utterly unhappy. On the one hand Vincenzo must lead a miserable and frustrating life as he cannot find any regular job, despite his Arts degree. On the other hand, Mr. Bartoloni is fed up with his despotic wife: the woman who used to be a beautiful artist is now a fat and shabby drunkard. The two men meet on a particularly sad night and, during an outburst Mr. Bartoloni asks Vincenzo to help him to get rid of his wife by simulating an accident with the promise of a considerable amount of money. At night Vincenzo can't sleep: Mr. Bartoloni wasn't joking and he is in a desperate need for money...

Talks about the fears, vices and weaknesses that bedevil the contemporary Italian society. Highlights the degeneration that is plaguing certain quarters of the Italian society today.

No description available.

On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

Rome 2003, the camera follows citizens of Rome. Night, in a flat, a woman prepares her husband's lunch. The man takes a bus, but the camera follow another bus ... a woman cleans the mayor's office... A man interviews passengers on a bus about immigration...... the owner of a bar is racist person... a survivor woman of Holocaust remembers the Ghetto deportation... deportation that is filmed by a director... Stefania Sandrelli plays with her grand daughter in a park a man tries to seduce the bus driver...gay night life... sunrise at Piazza Navona, a noble man and a tramp are sitting together. - - - Gente di Roma is a 2003 Italian comedy mockumentary film directed by Ettore Scola. It is close to Federico Fellini's Roma. The film is dedicated to Alberto Sordi, who Scola wanted to close the film, as a noble man, but he could not film him because he died. Scola's daughters helped to co-write the script. (From Wikipedia, the free encyclopedia)

Mario and Maria Boschi, a 30-year-old couple with small children, are hit by a crisis: husband and wife cannot agree on a party name. A colleague, also named Mario, makes an impressive speech, and Maria find herself increasingly attracted to him. She feels able to relate to him like she could to her husband in the old days. They spend the night together, and she falls ill. When she is asked by her husband to leave the house, she realizes that there may be a difference between real love and a vague need for understanding.

Speaking of serious things by making you laugh has always been the characteristic of Ettore Scola’s cinematic style. With the same intent, his daughters Paola and Silvia, using Pif’s verve as an interviewer, retrace their father’s career.