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Carlos Cotrim

Acting

Known For

Bloody Hands
7.5

Maos Sangrentas translates to Bloody Hands in English, and that's just what this gruesome Brazilian melodrama delivers. The story begins when a gang of dangerous convicts escape from a penal colony. With the police in hot pursuit, the escapees cut a gory swath through the countryside. As his comrades are killed off one by one, the leader of the group descends into gibbering madness. In contrast to this, a subplot develops involving the least dangerous of the escapees, who murdered his wife in a peak of self-righteous rage and is now seriously in doubt about the wisdom of his deed. Principal scenes reworked in 1962 to make the film The Violent and the Damned (q.v.).

Bloody Hands

1955
Nem Sansão Nem Dalila
6.5

Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah

Nem Sansão Nem Dalila

1955
O Gato de Madame
7.0

Arlindo works delivering the clothes that his wife washes. During a working day, he finds a customer's cat, who offers a reward to whoever returns it. To deliver the animal, he ends up going through a lot of confusion.

O Gato de Madame

1957
Rua sem Sol
6.0

A poor girl must find the money to pay for her blind sister's eyesight operation.

Rua sem Sol

1954
O Rei do Samba
7.0

No description available.

O Rei do Samba

1952
The Violent and the Damned
3.5

When chain gang prisoners attack their guards, some of the hardened criminals escape Brazil's infamous Anchieta Prison amidst all the pick-ax carnage. The government dispatches a machine-gun squad to round up the fugitives, who have fled by foot and boat and now have begun to turn on each other.

The Violent and the Damned

1962
The Shadow of Another
8.0

A drama about double personality

The Shadow of Another

1950
Sand
10.0

Camillo Mastrocinque was one of many foreigners who came to Brazil in the 1950s to make films. The director of melodramas during the Italian fascist era directed this film, Areião (Inca Film, 1952), which could have spared Maria Della Costa. The film was renamed La priggione di sabbia to compete at the Venice Film Festival, but was rejected.

Sand

1952
Mujeres de fuego
4.5

No description available.

Mujeres de fuego

1958
Quem matou Anabela?
9.0

No description available.

Quem matou Anabela?

1956
Mud Angel
10.0

No description available.

Mud Angel

1951
Somos Dois
8.0

No description available.

Somos Dois

1950
Procópio no Cinema
6.5

No description available.

Procópio no Cinema

1978