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Miloš Pušić

Miloš Pušić

Directing

Biography

The director, screenwriter and producer was born in Senta, Serbia in 1980. His short film Lullaby for a Boy screened at festivals around the world; his debut feature-length film Autumn in My Street premiered at Sarajevo and Withering at Karlovy Vary. In 2019, he produced the Marko Đorđević directed feature film My Morning Laughter, which went on to become one of the most successful Serbian independent films in recent years. Heroji radničke klase is Pušić’s third feature film as a director. He also lectures at the Academy of Arts in Novi Sad.

Known For

The Month of Dreams

It is 1680 – the time of dreamt snow after the Turkish invasion. In the deserted plains of Bácska a living soul cannot be found in a few-days’ walk. Three former prisoners returning from their Turkish captivity – Long-Legged, Lame and One-Eyed – appear among the crumbling walls of a huge abandoned church without a roof. They are looking for their long lost home. How to revive a disappeared civilization? What is the survivors’ personal duty? Without a roof, a collapse is inevitable. The Old Man – a master of ancient knowledge – and his daughter come and with sharing sowing seeds they try to save the community of dispersion. No spiritual leader, no aims. Driven by rapacity, One-Eyed kills the Old Man, rapes his daughter and while looking for the remaining seeds he kills Long-Legged with a sudden anger. At the end of the film, the survivors need to face with dramatic encounters and special temptations. Their redemption under the leadership of Lame’s young son is the pledge for the future.

The Month of Dreams

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It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

Masks

2016Movie